Mount Hood

Stachtastic: the return of the mustached man

INFOGRAPHIC BY CARLY FISTER | Designer *Information courtesy of americanmustacheinstitute.org, howtogrowamustache.com, and  medialcaldaily.com
INFOGRAPHIC BY CARLY FISTER | Designer
*Information courtesy of americanmustacheinstitute.org, howtogrowamustache.com, and
medialcaldaily.com

At work the other day, I looked up to find a 20-something-year-old man sitting in front of me, stroking his waxed, handlebar mustache like it was his prized possession. Caught off guard by this image, I ended up watching him as he casually spoke with his friends, drank and ate, and generally went about his normal business, all while stroking his mustache.

Even after he had gone, I kept remembering the mustached man, unable to put my finger on why he stuck with me. It may be because a small part of me kept picturing him as the villain in an old black and white film, twirling his mustache as he laughed maniacally before the damsel tied to the train tracks met a very rough end. Or maybe it was just the sheer amount
of times he touched his own mustache — 15 that I noticed.

But I had this nagging feeling that while those both seemed odd, they were not what fascinated me so. It finally hit me as I was about to fall asleep that night…I hadn’t seen a fully- grown mustache such as that in a long time, especially on someone who was roughly my age.

With this new thought, I decided to do some digging, as anyone would. It turns out, I was right: the mustached man has been a rare site for the last several decades. Of course there are always the outliers, but the majority of society had abandoned the mustache and all its glory.

So what made it return?

Some exploration led me to the American Mustache Institute’s web page, which was full of information and interesting facts about mustaches. But more than facts or statistics, it gave explanations, such as a timeline of the mustache throughout history. Through this timeline, one can begin to determine the trend of the mustached man.

A number of factors have surely contributed to the rise of the mustache: the popularity of No-shave November, or Movember as it is fondly known, the media or TV shows that prominently feature mustached men, such as Anchorman’s Ron Burgundy or Ron Swanson.

But it’s more than that.

The traditional adult is no longer what we picture as children, which sort of looks like the cast of “Mad Men,” all business people with power suits and important jobs. Not to say there are not still people like that, but it is no longer the norm. Having a full-time job does not always mean working from 9 to 5. Being a parent doesn’t mean you hide your tattoos, but display your sleeve with pride. A mustached man is not Ron Burgundy and the channel 4 news crew, against the progression of women and society.

So who is he?

Perhaps he is a hipster, growing his ironic facial hair to emphasize his creativity and open-mindedness. Perchance he wants to be a powerful man, or is a powerful man and wants to have facial hair he feels accurately displays what he wants to say to the world. Maybe he just really hates shaving. But whatever the reason, the mustached man is making his comeback. I, for one, applaud him!

Women’s basketball earns home split

Emilie Howey (32) looks to pass the ball to a teammate during their game against Western Washington University. PHOTO BY STEPHANIE BLAIR | Staff Photographer
Emilie Howey (32) looks to pass the ball to a teammate during their game against Western Washington University. PHOTO BY STEPHANIE BLAIR | Staff Photographer
By GUY PERRIN
 Staff Writer

The women’s basketball team returned home from a three-game road trip this past weekend to host Simon Fraser University and Western Washington University. The Wolves came away with a split as they defeated Simon Fraser 68-45 on Thursday but fell to Western Washington 81-48 on Saturday.

On Thursday, Feb. 12, the Wolves put together their best shooting performance of the season, shooting nearly 60 percent from the field, including a sizzling 68 percent in the second half to handle Simon Fraser 68-45. Led by forward Dana Goularte’s 15 points, the Wolves (6-15, 3-10 GNAC) were able to take advantage of the absence of Simon Fraser’s second leading scorer, Meg Wilson (13.4 ppg), and dominate down low, outscoring the Clan (12-10, 8-6 GNAC) 38-22 in points in the paint.

“Beating Simon Fraser gave us a confidence boost knowing that we can play with and beat any team in our conference,” said guard Jordan Mottershaw. “Our goals for the last few games are to execute all of the game plans and really focus on controlling everything we can control. If we do that, I know we can get a few more wins.”

Western opened the game with an 11-2 scoring run and never looked back en route to a commanding 33-15 halftime lead. The Wolves were able to add suffocating defense to their hot shooting as they held Simon Fraser to just 27 percent shooting as well as 20 percent from behind the 3-point line, which included a 1-11 performance in the first half.

“We played as a team,” Goularte said. “We offensively shared the ball well and defensively played team defense. We are concentrating on playing to our best ability as a team.”

On Saturday, Feb. 14, Western Oregon was unable to continue their hot shooting against the conference’s third best team, Western Washington, shooting just 39 percent from the field including 28 percent from behind the 3-point line to lose 81-48. The team’s leading scorer, Goularte once again led the team with 12 points and seven rebounds, but it wasn’t enough as Western Washington (17-7, 11-4 GNAC) shot nearly 50 percent from the field and went a perfect 10-10 at the free-throw line.

The Wolves (6-16, 3-11 GNAC) wore pink jerseys to support the Play4Kay breast cancer research foundation in honor of Kay Yow, the women’s basketball coach at NC State who died in 2009.

Western faces a daunting road trip next week as they travel to Billings, Mont. on Thursday, Feb. 19 to play Montana State-Billings before traveling to Seattle to play Seattle Pacific University on Saturday, Feb. 21.

Wolves improve to No. 15 in the country

By JACOB HANSEN
 Staff Writer

Aired as the ROOT Sports Great Northwest Athletic Conference Game of the Week, the men’s basketball team defeated GNAC rival Saint Martin’s University 66-56 on Feb. 11 — a win that clinched the conference’s first berth to this year’s GNAC tournament. The No. 15 Wolves are now the highest-ranked West Coast team in this week’s poll.

“To be in the Top 20 nationally is a great honor not only for the program, but for the university as well,” said Head Coach Brady Bergeson. “Our guys have worked hard all season and to be recognized on a national stage is such an honor.”

Bergeson was featured in Monday’s edition (Feb. 16) of the Orange County Register, which is a newspaper that serves the Southern California communities of Anaheim, Long Beach, San Juan Capistrano and more. Bergeson’s career, family and team at Western are referenced in the article.

The Wolves (21-3 overall, 13-1 GNAC) were once again lead by offensive juggernaut forward Andy Avgi who was 10-of-11 from the field and had a game-high 22 points. Avgi has scored double figures in 23-of-24 games this season alone and has scored 1,130 points during his 71-game career as a Wolf.

Guard Julian Nichols did his part contributing 11 points, four rebounds and four assists. Forwards Marwan Sarhan and Lewis Thomas had eight rebounds a piece. Sarhan had eight points of his own.
“Just look at what the big men did, they really pulled though,” Nichols said.

Nichols ranks second in the GNAC in both assists per game (with an average of 6.0) and in free-throw percentage, hitting 86.7 percent (72-for-83) of his shots when fouled.

As a team, Western combined to shoot 26-for-51 (51 percent) from the field which included 61.5 percent (16-for-25) in the first half. The Wolves also shot a combined 3-for-15 (20 percent) from beyond the three-point line and 11-of-17 (64.7 percent) at the free throw line.

The Wolves hosted Western Washington on Thursday, Feb. 19 (The Journal went to print before the end of the game). For the final home game of the season, the Wolves host Simon Fraser Saturday, Feb. 21 at 4 p.m. for Senior Night, honoring their four seniors.

“We have to keep the streak going,” Sarhan said. “All of the faculty and staff will be there and we want as many students as possible to come too. These are big.”

Track hits more NCAA qualifying times

By GUY PERRIN
 Staff Writer

The Western track team traveled to Seattle Feb. 13-15 to compete in a pair of meets in preparation for the Great Northwest Athletic Conference Championships next week.

On Friday and Saturday, the Wolves competed in the Husky Classic, a prestigious meet that combines runners from across the country from both Divisions I and II and the Husky Open on Sunday.

During the Husky Classic, Brady Beagley and Sam Naffziger hit NCAA provisional qualifying times in the mile and 800-meter, respectively. Beagley posted a time of 4 minutes, 10.6 seconds to put him just seven seconds away from an automatic qualifying time while Naffziger’s time of 1:53.37 was just inside the provisional mark and was also good for a new personal best in the event.

“Going into the race I had a lot of confidence in myself, and I felt like I was ready to run fast,” said Naffziger. “I was also in a fast heat which definitely helped me run the time I did.”

“Another huge factor that helped me is the people I train with; they bring it every day and push me to get faster. Having a provisional is great because all the hard work is paying off, but also motivates me to continue to work hard and get into the national meet,” Naffziger said.

Badane Sultessa, Aaron Whitaker, Josh Hanna, and Beagley competed in the distance medley relay, finishing third overall with a time of 9:59.24, just three seconds shy of first.

“Getting to compete in the Husky Classic was important to me because it gave me a chance to race in a really competitive atmosphere,” Whitaker said. “As for getting ready for conference, I think that keeping that same energy and intensity that we had at the Husky Classic will benefit us as we prepare
to go to conference this weekend.”

On Sunday during the Husky Open, Western runners began strong with Dustin Camarillo and Rihei Grothmann both posting personal bests in the 60m hurdles with times of 8.92 and 8.95 respectively.

There was a trio of seasonal bests in the 800m run as Josh Dempsey (1:56.68), Chris Stash (1:58.39), and Parker Marson (1:58.97) each came within five seconds of hitting the NCAA Division II national provisional qualifying time.

For the women, Laura Patrick ran a season best time of 26.82 in the 200m dash as well as a personal best time of 8.13 in the 60m dash to cap an impressive day.

“No matter if it’s conference or any time of year, a PR gives you confidence going into the next meet and raises the excitement level,” Patrick said. “As a team going into conference, I think the goal is to just get better. We have a lot to learn and a lot to improve on. Win or lose, we can walk away with something to make us better for the next time we step on the track. The goal is to come home with some victories, whether they are big or small.”

In the high jump, Cherise Kirkpatrick (1.53) and Sam Moore (1.48) finished third and fifth, respectively, while also posting new personal records. Suzy Van Der Grift took home first place in her heat of the 600m run with a new personal best time of 1:39.56 while Rachel Crawford narrowly missed out
on the provisional qualifying time for the 800m run, finishing third in her heat with a time of 2:20.43, just five seconds away from qualifying.

The Wolves are traveling to Nampa, Idaho to compete at the GNAC conference meet Feb. 20-21.

FIFTY SHADES OF WHAT’S THE BIG DEAL?

By Haunani Thomas Managing Editor
By Haunani Thomas
Managing Editor

IT DID NOT OCCUR TO ME

THAT there still existed people who do not know the gist of “Fifty Shades of Grey” until I overheard a couple of guys talking about Christian Grey’s Red Room.

While at the gym a couple of days ago, I heard two very brawny men talking about their feelings after watching the movie. More specifically, Christian’s “kinky play room” and how they “never saw that coming.”

For those who do not know, (I am speaking to the male population) “Fifty Shades of Grey” is based on E.L. James’ New York Times best-seller “Fifty Shades of Grey,” which is the first installment in the Fifty Shades trilogy. Known for its descriptive and intense sex scenes, “Fifty Shades of Grey” has earned a reputation among women.

Released on Feb. 14 for publicity reasons, as anticipated, “Fifty Shades of Grey” debuted at No. 1 in the box office and grossed roughly $94 million worth of ticket sales.

And, much like my Valentine’s Day, there was nothing romantic about “Fifty Shades of Grey.”

In short, English student Anastasia Steele meets a young and very attractive business tycoon that is Christian Grey. Fast-forward through a bunch of awkward encounters and Christian becomes spellbound by Anastasia.

The sexual tension between the two increases to the point where Christian draws out a contract asking for Anastasia’s consent to become his submissive, which is the huge curveball of the story.

However, it becomes apparent the duo wishes for two different things: Anastasia wants Christian to be her boyfriend but Christian wants Anastasia to be his submissive. Anyway, they have lots of crazy, wild intercourse while in this limbo of deciding what to make of their maturing relationship.

The whole thing is confusing yet intriguing to the female populace.

So, being female and all, I was curious to see what all the hype was about. If you know me, you know I make a habit out of reading a book before it becomes a major motion picture. This was no exception.

Upon cracking the spine into my paperback edition while waiting to board my flight at the Portland airport, I received what I felt were judging and disapproving looks from those who saw what I was reading.

Although I feel obliged to admit that reading erotica is somehow superior or more accepting than viewing it, I might as well have been casually flipping through a Playboy magazine. I’d say both meet the same reading level requirement. Unlike other best-selling books, “Fifty Shades of Grey” did not require any analysis or discussion of extended metaphors.

According to Business Insider, “Fifty Shades of Grey” has become the first e-book to sell one million copies on Amazon’s Kindle; most likely because people wanted to avoid the same disdain-filled looks that I received for publicly reading erotica — an amateur mistake on my part.

For those who did not like the book (or the “Twilight” saga for that matter), there is a 100 percent chance that you will not enjoy the movie. The same can be said for any novel-gone-Hollywood.

The movie completely adheres to the plot of the book. But yet, it fascinates me to learn that people expect the movie to somehow make better the storyline, as follows:

Guy meets girl. Guy likes girl. Girl likes guy.

Guy pushes girl away. Guy pulls girl back in.

(Repeat this process two or more times.)

Girl is confused.

Girl doesn’t like this.

But guy is hot.

So, girl keeps going back.

Here, we have what has become the standard millennial relationship consisting of awkward interactions (at first), dining-out expenditures, sexual tension, fighting and disagreements.

Despite the fact that reality television exists, why would anyone want to watch a movie about a normal (or rather dysfunctional) couple? Insert vampires and werewolves and– voila!–“Twilight”! Subtract wildlife, add millionaire status and one BDSM contract and – voila! – “Fifty Shades of Grey”!

Although I will gladly admit that I know nothing about BDSM (Bondage and Discipline, Sadism and Masochism), there is much controversy surrounding the portrayal of the BDSM community at large. “Fifty Shades of Grey” creates speculations that BDSM-ers are clearly offended by.

You didn’t see angry vampires and werewolves complain to the Huffington Post when “Twilight” stereotyped their lifestyles. Not every Native American is part of a wolfpack and vampires don’t actually sleep in coffins. In fact, they don’t sleep at all.

Similar to how Stephenie Meyer was not inspired by vampires and werewolves to write Twilight, James did not write “Fifty Shades of Grey using the BDSM community as her muse. To be clear, James did not dedicate the Fifty Shades trilogy to the BDSM-ers. If that was the case, then, yes, be pissed.

Anyway, Fifty Shades is a highly unrealistic story about a millionaire abused as a child – who doesn’t actually exist, which is why it is fictional. Being a CEO, 27 years old AND attractive is already an impossible feat. If someone is that attractive, they have to be crazy or have had traumatic experiences as a child that highly influences their adulthood.

So, yeah, fictional.

It’s about as practical as Harry Potter: once you remind yourself that Daniel Radcliffe is not the chosen one and can’t actually cast a Patronous Charm, it’s easier to understand that Jamie Dornan is not a dominant and doesn’t actually own that many gray ties.

After reading unsavory movie and book reviews, ranging from nitpicky to LOL-worthy, I don’t know how else to say that “Fifty Shades of Grey” is just another craze developed for our entertainment purposes. We pay to be immersed in a world that isn’t ours for a couple of hours out of the day.

So, honestly, what’s the big deal?

I saw more nudity in “Wolf of Wall Street.”

Medieval strategy game “Crusader Kings II” lives on

By DECLAN HERTEL
 Staff Writer

“Oh my god, Dad! You’re sleeping with my
wife?”
This is the somewhat sanitized version of a
sentence I once said out loud while playing Paradox
Interactive’s 2012 grand strategy game,
“Crusader Kings II,” which marked its third anniversary
this month.
In CKII, the players take control of the head
of a medieval dynasty and do everything they
can to become rich, powerful, and above all,
long-lived. The only “objective” is to make your
dynasty last until 1453, although this is hardly
the appeal of the game: CKII is a sandbox game
at heart, meaning you are dropped into a huge
living world to do anything your heart desires.
There is an incredible amount of detail, not least
from the impressive level of research put into
historical accuracy.
Each character in the game is represented by
a ton of little symbols and numbers representing
their abilities, opinions, and character traits.
You can interact with these characters in many
ways, such as sending assassins to kill them,
sending them gifts, arranging marriages, and
requesting their excommunication. Learning the
significance of all these bits is key to keeping
your family on top, and there are a ton of bits.
Not to mention that in addition to keeping
yourself un-murdered and your heirs in the
hands of teachers who will bestow the best traits
upon them, you must also run a kingdom. You
can mess with everything from tax policy to succession
law to even more nitty-gritty bits; it’s all
up to you. This results in a difficulty curve that
more closely resembles a wall, but the CKII community
is nothing if not obsessive: there are a
great many guides and tip collections to ease the
process. Give some of these a perusal and you’ll
be bumping off meddlesome uncles in no time.
One thing I didn’t expect on first playing the
game is how darkly hilarious it can be. Being assassinated
on the orders of your 8-year-old mentally
disabled nephew; becoming your son’s lover
only to have him murder you for your titles; a
maimed blind man with typhus winning your
grand tournament; all of these are fair game.
There is no shortage of “ha ha, what?” moments
throughout any given play-through. Also incest.
Lots of incest.
CKII has, on average, 2,500 players active at
any given moment. Thanks to nine expansions,
37 minor DLCs, and a thriving modding community
(there is a very popular “Game of Thrones”
overhaul mod), CKII is very much alive with no
end in sight, three years post-release. That’s
more than many games can say after six months.
If you’ve ever wondered what it’s like to unite
all of Western Europe into one giant France, if
you’ve ever wondered what it’s like to sire 30
children by eight mothers, if you’ve ever wondered
what it’s like to marry your syphilitic
daughter to an enemy duke and gain all his titles
and lands when he dies from the syphilis
you “totally didn’t know about,” “Crusader Kings
II” just might be the game for you.

A BOLDER, BLOODIER BOND

BY NATHANIEL DUNAWAY ENTERTAINMENT EDITOR
BY NATHANIEL DUNAWAY
ENTERTAINMENT EDITOR

In regards to the newer MGM James
Bond films, many reviewers have complained
that the series has gotten too
serious, too dour.

Even after the release of “Skyfall,”
the most well-received Bond film in
decades, reviewers were calling for the
spy genre to take its foot off the gritty
pedal and remember its roots: its
jetpack, laser-watch, snappy one-liner
roots. For anyone who agrees with
these sentiments, the new film “Kingsman:
The Secret Service” should be at
the very top of your to-watch list.

Directed by Matthew Vaughn (“Layer
Cake,” “Kick-Ass”), “Kingsman” is
an England-set throwback to the spy
genre of the 1960s. Though it takes
place in modern day and employs modern
technology as an important plot element,
the feel of “Kingsman” is rooted
deeply in the nostalgia of the 60s.

The film stars newcomer Taron
Egerton as Eggsy, a troubled young
man and the son of a secret agent who
belongs to a private spy agency separate
from government control or regulation
called the Kingsman.

Eggsy becomes the protégé of another
Kingsman named Harry Hart,
played superbly by Colin Firth (“The
King’s Speech”), and undergoes training
along with a handful of other potential
candidates all vying for the
chance to become an agent themselves.

The cast is rounded out by Mark
Strong (“Kick-Ass”), Michael Caine
(“The Dark Knight”) and Samuel L.
Jackson (too many options).

The latter serves as the film’s main
villain, one Mr. Valentine, an immensely
wealthy and environmentally
concerned individual who hatches a
diabolical plot to incite a “cull” on the
human race to reduce the population
and help save the planet. Like any
good Bond villain, Valentine is distinguished
by a unique physical abnormality,
his being a comical lisp.

Although its comedic elements
make the film oftentimes laugh-outloud
funny and a joy to watch, where
“Kingsman” really shines is in its action
sequences. And seeing as this is
the director of “Kick-Ass” we’re talking
about, that’s no surprise.

But director Matthew Vaughn outdoes
himself here. The fight scenes
in “Kingsman” are incredible. Some
of the best action I’ve seen in a very
long time. The church fight (yes, I said
church fight) is the bloodiest, boldest,
and funniest scene since the shootout
in the third act of “Django Unchained.”
It’s an ambitious and effective mix
of intense choreography, CGI, Steadicam,
and constant gunfire. Your jaw
will be on the floor.

What also makes “Kingsman” great
is its loyal attachment to the source
material which inspired it. From bullet-
proof suits and lethal umbrellas to
lighter grenades and poisonous pens,
Kingsman agents are supplied with
enough handy (if ludicrous) gadgets to
impress even Desmond Llewellyn’s Q
in the Bond films. But it is also “Kingsman’s”
self-awareness that sets it
apart.

At one point Colin Firth’s character
remarks that today’s spy films are no
fun, and later, Samuel L. Jackson’s
Valentine comments that it’s the part
of the film where he’s supposed to unveil
his grand plan and kill a character
in some elaborate manner. “But,”
Valentine says, “this ain’t that kind of
movie.”

And he’s right. It’s not that kind of
movie at all. Truth be told, I’m hardpressed
to describe just what kind of
movie “Kingsman” is. Other than a really
good one, that is.