Mount Hood

Western’s bands are back indoors

Band rehearsals have moved back inside, just in time for colder fall weather

Camille Lenning | Editor de entretenimiento

Those who frequented campus the first two weeks of fall term may have heard the sound of music flowing from outside Smith Hall. This is where Western’s instrumental ensembles practiced to comply with COVID-19 safety guidelines. However, bands like the jazz orchestra have recently found themselves back inside for practice sessions, since they received specialized equipment that greatly limits the spread of respiratory droplets while playing. 

“This includes custom masks designed to be worn while playing a wind instrument, as well as bell covers that reduce the spread of aerosols while playing an instrument,” said jazz orchestra director Dr. Keith Karns. “This PPE is part of the COVID mitigation plan adopted by virtually all music programs in public schools, colleges, and universities in the Pacific Northwest.”

These COVID safety protocols have also allowed the ensembles to schedule performances again, something they were unable to do last year. 

“One of them is going to be a side-by-side concert with … McKay High School. So we’ll just be over there, showing the high schoolers what we can do … and they can play with us and they get on the stage with us,” said sophomore general music major Jacob McDonald, who plays trumpet for the jazz orchestra. 

Ensembles are no longer required to practice outside Smith Hall.

McDonald is also a member of the wind ensemble, who will be joining the jazz orchestra for an end of term concert featuring famous jazz clarinetist Eddie Daniels, scheduled for Dec. 2 at 7:30 p.m. 

The two groups are performing a wide variety of music this term; the jazz orchestra lineup includes several pieces by renowned jazz pianist Count Basie, “I Left my Heart in San Francisco” by Tony Bennett and “Strasbourg / St. Denis” by jazz trumpeter Roy Hargrove, and the wind ensemble will perform arrangements such as an homage to silent films and a march composed by John Phillip Sousa.

“I am very, very excited for concerts and to be playing again … (it’s) doing what I like to do, right? And so, yeah, very excited,” said McDonald. 

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Art at Western

Art exhibits open for viewing this October at Western

Camille Lenning | Editor de entretenimiento              

Western’s galleries are open again after an 18 month hiatus, and pieces in galleries such as the Student Gallery in the ITC, the Cannon Gallery of Art and the second floor gallery in Hamersly Library are open for public viewing during normal building hours, 8 a.m. – 5 p.m. until Oct. 29. 

The Annual Juried Student Art and Design Exhibition returns in its 53rd iteration to the newly remodeled ITC, featuring the talented students who entered in last year’s online exhibit. 

Senior nontraditional transfer student Melody Barrett has two collage pieces in the student gallery, “Frida Rides Again” and “Ladies in Waiting.” A dedicated artist, Barrett has also sold a print of her piece “Ladies in Waiting” to the City of Monmouth Arts Committee. 

“I believe art is an expression of the artist, what we see and feel, experience and imagine,” Barrett said. “That is why I love using a wide range of mediums including collage, acrylic painting, soft pastels and mixed media, because each one allows my thoughts, feelings and ideas to come through in very different ways.” To see her other work, check out Barrett’s website at www.melodybarrett.com.

Graduate student Genvieve Hardin has two pieces in the gallery, sculptures “D20” and “Be Not Afraid.” Hardin is in the Master of the Arts in Teaching program, and has expressed her excitement for having her work in the ITC gallery.

“My art is a way to connect with others and express myself. It is wonderful to have my art on display; I always wonder what people see and feel when they view my work!” Hardin said.  

Senior zoology and art and design double major Tobin Roark has three pieces on display.

“’Liquescent Shift’ was a tribute to my gramma opening up and freeing herself from the grief of her husband passing,” Roark said of their art. “’Burning at the Stake’ was commentary on the demonizing of sexuality and women linking burning witches at the (stake) with pole dancers. And lastly ‘Touch of Menace’ … was commentary on how appearances can be deceiving and corruption and greed.”

Senior art major McKenna Suarez displayed her digital pieces “Photoshop Series” in the exhibit. Her art was the only digital entry. 

“These pieces to me mean a lot, as they help to represent or show what Social Anxiety is like to me, and the ‘tricks’ I use to help me talk to people or interact in public,” Suarez said. “Similar to the phrase ‘Just think of them in their underwear!’ when you ask someone for tips on public speaking. I just imagine everyone with a bird head with a cool aesthetic background.”

Senior art major David Tomasiewicz has one piece displayed in the gallery, “MotoDrop #3.” Different from the peers he shares the gallery with, Tomasiewicz’s preferred medium is animation or film. 

“I see art as a tool and means to create the animated fantasies that exist in my collective dreamscape,” Tomasiewicz said, “a way to invite people to peer into the landscapes existing within my conscious.” 

Also included in the exhibit are students Marilyn Bergsma, with “If Wishes Were Horses Beggars Would Ride” and Mitchel Garson, with “Image of Guitar,” “Insomnia,” “Why,” “Untitled” and “Unfortunate Futures.” 

Venturing outside of the student exhibits, Eric Tautkus, an aerosol and graffiti artist, has unveiled his newest art installation, “Derailed Marginally” in the Cannon Gallery of Art in Campbell Hall. This new work is a colorful, immersive piece spanning an impressive 50 feet — split between two walls. Smaller paintings by Tautkus are on display as well. When the exhibit closes on Oct. 29, two-foot square sections of Tautkus’ work will be sold to help fund the student gallery in the ITC. 

Additionally, in the second floor gallery of Hamersly Library, local artist Diane Elizabeth Wilson debuted her exhibit titled “On Bended Knee, We Honor Thee,” in reference to the symbolic act of kneeling in protest for civil rights. The exhibit features 60 oil painted portraits of civil rights leaders and activists that have made an impact on society. 

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Qué esperar de Smith Fine Arts en 2021-22

Programa de actuaciones de la Serie Smith de Bellas Artes para su 44ª temporada 

Camille Lenning | Editor de entretenimiento

El Smith Fine Arts Series es conocido como un paraíso para las artes, y sus producciones de primera calidad vuelven para presentar una variedad de actuaciones diversas para todas las edades. 

  • Halie Loren (Viernes, 8 de octubre) - Cantautora multilingüe con ocho álbumes a sus espaldas, Loren ha recibido elogios de la crítica internacional por su estilo musical jazzístico. 
  • Vianna Bergeron Jazz brasileño (sábado 4 de diciembre) - Conocido por interpretar una variada mezcla de géneros musicales brasileños, este grupo cuenta con la vocalista Rosi Bergeron, el saxofonista Tom Bergeron, el pianista Cassio Vianna, el bajista Wagner Trindade y el batería Cam Siegal. 
  • Teatro de danza Rainbow (Viernes, 14 de enero) - Esta compañía de danza de Oregón presentará su espectáculo de repertorio "20 en 2020", coreografiado para su gira de 20 aniversario, que fue aplazada debido a la pandemia de COVID-19. 
  • Proyecto Seamus Egan (sábado 12 de marzo) - Especializado en música folk irlandesa, Egan ha redefinido el género gracias a su dominio de la flauta irlandesa, la guitarra, la mandolina, el banjo tenor y otros instrumentos. Le acompañarán la violinista escocesa Jenna Moynihan, el guitarrista Kyle Sanna y el guitarrista, banjista y mandolinista Owen Marshall. 
  • Cuarteto de cuerda Thalea (Sábado, 2 de abril) - Este grupo de músicos de renombre internacional acerca la música atemporal a todos los públicos, con el violinista Christopher Whitley, la violinista Kumiko Sakamoto, la viola Lauren Spaulding y la violonchelista Titilayo Ayangade. 
  • La banda de Thornette David (Sábado, 4 de junio) - Leyenda del blues, Davis lleva en la escena desde 1987 y actuará con su banda de siete músicos. 

Todas las representaciones comienzan a las 19.30 h. La venta de entradas para el día del espectáculo comienza a las 18.00 h. Las entradas anticipadas cuestan $28 para adultos, las entradas para el día del espectáculo cuestan $33 y ambas opciones cuestan $10 para quienes no sean estudiantes de Western. Los que tengan un carné de estudiante válido de Western pueden conseguir sus entradas gratuitamente, sólo tienen que asegurarse de llegar pronto para reservar un asiento. Llama a la oficina de la Smith Fine Arts Series al 503-838-8333 si tienes alguna pregunta. 

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New Student Week come to a close with the student-run Variety Show

Students come together to share their talent in this traditional New Student Week event 

Camille Lenning | Editor de entretenimiento

From left to right: Jasper Beck, Jared Foos, Andrew Freeman, Daizy Hernandez Soriano, Jessica Bailey, Aubrey Mollock.

The end of New Student Week was marked by the return of a Western tradition — the Variety Show. Organized by the PLUS team’s Variety Show committee, the event consisted of 10 student acts, three prize giveaways and a New Student Week video shot and edited by Western alumnus and freelance videographer Andy McDonald. 

Moshe Martinez, junior computer science major, PLUS team member and overseer of the Variety Show committee, acted as MC of the event. Spaced throughout the show, the PLUS team held short raffles for prizes, and a select few students won items ranging from a Hydro Flask to a smart TV.  

The performances began with junior ASL Studies major Jared Foos, who sang and played guitar to his own arrangement of “Gone, Gone/Thank You” by Tyler, the Creator and “Relax/Divide” by Hail The Sun. 

First-years Ashlee Ellis, Sorin Santos and Breanna Carrasco Vivar performed an energetic light dance routine to the song “LALISA” by Lisa. 

Senior criminal justice and psychology double major Andrew Freeman, who is vice president and vocal percussionist of Western’s Acapella Club, performed an original beatbox story, taking the audience through a day in the life of a beatboxer. Freeman was joined by the rest of the Acapella Club for a musical finale. 

On the piano, first-year music education major Kourtney Branchfield performed an original song titled “Perfectionist,” something she identifies with.

“I want to kind of help people understand what (perfectionist) means,” Branchfield said of her song’s message, “or people who are also dealing with it can also relate to it.” 

First-year business major Daizy Hernandez Soriano sang “Que Me Vas a Dar” by Jenni Rivera, the only act performed in another language. 

Graduate student Liam Vance performed “Take Out Some Insurance” by Jimmy Reed. As Vance left the stage, he declared, “My Name is Liam Vance and I am just getting started.” 

Channeling a Bo Burnham-style musical comedy, senior art and design major Jessica Bailey performed an original song on guitar titled “WIP” about wanting to find their place and figure out life. 

“One of the things that I was working on was trying to be more honest with myself…” Bailey said, “even if things are kind of embarrassing and weird to say out loud, trying to say it anyways because it’s actually quite helpful.” 

First-year Jasper Beck performed his slam poetry piece titled “2nd Law” accompanied by an original backtrack and slideshow. 

“I essentially used the second law of thermodynamics as a metaphor for the fact that societies and relationships tend to fall apart, just like matter does…” Beck said of the inspiration behind the poem, “and sort of my thoughts on how that affects people and how our reaction to that brokenness is not healthy, in my opinion.” 

First-year psychology major Aubrey Mollock sang an emotional rendition of “Burn” from the musical “Hamilton,” a song performed by wife Eliza after Hamilton released documents to the public revealing his affair. 

First-year Manda Oliver played an original piece titled “Stepping into a Mirror.” According to Oliver, the song was initially about escaping reality, but over time came to be synonymous with creating her perfect reality instead. 

At the end of the live performances, Martinez was joined onstage by the rest of the PLUS team for a choreographed dance to Bruno Mars and Mark Ronson’s hit song “Uptown Funk.”

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Popular movies and TV coming to streaming

The critically acclaimed media coming to Netflix, Disney+ and Hulu this October 

Camille Lenning | Editor de entretenimiento

Classes are back in session, which can mean more stress for students. For those who need a break from homework, here’s a sneak peek into some of the critically acclaimed movies and television shows coming to streaming services this October. 

Coming to Netflix:  

  • “Seinfeld” (1989) ⏤ Oct. 1. All nine seasons of the famous sitcom featuring Jerry Seinfeld, Julia Louis-Dreyfus, Jason Alexander and Michael Richards. Rotten Tomatoes score: 89%. 
  • “Till Death” (2021) ⏤ Oct. 1. A romantic lake house vacation turns deadly when Emma’s husband enacts a revenge plot against her. Rotten Tomatoes score: 88%.
  • “On My Block” (2018) ⏤ Oct. 4. Two years after Monse’s departure from Freeridge, the group is back together, and this final season will explore their changed dynamic as they navigate new threats in the neighborhood. Rotten Tomatoes score: 95%. 
  • “YOU” (2018) ⏤ Oct. 15. In season three, Joe and Love are raising their newborn son in a Californian suburb. But when Joe’s attention shifts to their next door neighbor, Love must take drastic measures to protect her perfect family. Rotten Tomatoes score: 90%. 

    Coming to Disney+:

    • “Black Widow” (2021) ⏤ Oct. 6. Natasha Romanoff must confront her dark past as an assassin — and the people she left behind — when a new foe arises. Rotten Tomatoes score: 79%. 
    • “Marvel’s What If…?” (2021) ⏤ Oct. 6. Marvel’s newest addition to their growing media arsenal comes to a close in the finale episode. Rotten Tomatoes score: 93%. 

    Coming to Hulu:

    • “Crimson Tide” (1995) ⏤ Oct. 1. Set after the Cold War, a rookie lieutenant commander of the submarine USS Alabama stages a mutiny to prevent the captain from starting a nuclear war with Russian extremists. Rotten Tomatoes score: 88%. 
    • “Escape from Alcatraz” (1979) ⏤ Oct. 1. Frank Morris, a criminal with a reputation for breaking out of prison, is sent to Alcatraz and crafts a plan to escape the inescapable. Rotten Tomatoes score: 96%.
    • “Goldfinger” (1964) ⏤ Oct. 1. When gold magnate Auric Goldfinger is suspected of concocting a scheme to rob Fort Knox and cripple the world economy, 007 must foil the plot. Rotten Tomatoes score: 99%. 
    • “Grey’s Anatomy” (2005) ⏤ Oct. 1. The season 18 premiere will feature the doctors at Grey Sloan Memorial Hospital treating patients after the COVID-19 pandemic, and introduce new obstacles as they try to employ doctors. Rotten Tomatoes score: 84%. 
    • “Mad Max” (1979) ⏤ Oct. 1. In a world where oil shortages have led to famine, war and financial crisis, police officer Max goes rogue to avenge his murdered wife and son. Rotten Tomatoes score: 90%. 
    • “The Hunger Games” (2012) ⏤ Oct. 1. Every year, the Capitol picks two children from each assigned district to join a bloodthirsty competition. When Katniss Everdeen volunteers to save her sister, her life is changed forever. Rotten Tomatoes score: 84%. 
    • “Waitress” (2007) ⏤ Oct. 1. Waitress Jenna is married to an abusive husband and stuck in a small town, with plans to escape ⏤ but complications arise when she begins an affair with the town doctor. Rotten Tomatoes score: 89%. 

    Póngase en contacto con el autor en entertainmenteditor@thewesternhowl.com