Mount Hood

Aloha from Maui

Escrito por: Hannah Field | Redactora de noticias

In August of 2023, wildfires raked the island of Maui, causing unprecedented damage to Maui County and its inhabitants. Homes, businesses, studios, buildings and more were lost to the fires — devastating not only many lives but also countless lifelines for artists, creators, business owners and creative minds. 

Western has since installed an “Aloha from Maui” exhibit in celebration of the artists in Maui, Hawaii, which will be featured through May 3. The exhibit, which can be found in the Cannon Gallery in Campbell Hall, states that, “Through the loss of galleries, studios and art businesses, Maui County artists have persevered. They continue to create and share ways in which art can be healing and bring community together.”

Paula Booth, Western’s Gallery Director and Assistant Professor of Art, led the charge in jurying “Aloha from Maui.” Booth, herself, harbors fond memories of Maui and believes art has the power to heal, leading to the production of “Aloha from Maui.”

The artworks are completely giclee printed reproductions on canvas stretched on a two-inch frame, as, unfortunately, obtaining the artwork of thirty-six different creators crafted, gathered and shipped to Oregon from Maui proved to be difficult. 

The historic town of Lahaina, Maui, was particularly ravaged by the disaster. Featured artist, Laurie Robbins Miller, honored two significant Lahaina landmarks: Front Street and the Banyan Tree — an impactful moment for fourth-year student Tati Ala, having been born and raised in O’ahu, Hawaii.

“When we were first going through and picking out (artwork), I cried at like four of them,” said Ala. “Specific ones that are very meaningful.”

During the fires, Ala was in Hawaii that summer and had been in Maui earlier that year. “I was crying the entire time — we had family and friends there, and I’m very grateful nobody passed away and everyone we know was safe. But there were a lot of people who didn’t have that.”

“This is an important celebration of their work and their livelihoods and it connects what they do to a wider audience,” explained Booth. “This is a very colorful, engaging and fun show — there really is something in it for everyone.”

“It has been really great to have the opportunity,” said Ala. “It’s close to home.”

Póngase en contacto con el autor en howlnews@mail.wou.edu

Sustainable masterpieces

Escrito por: Claire Phillips | Redactora de Entretenimiento

In Campbell Hall’s Cannon Gallery, several artists came together to share their mixed media artworks. The art pieces portrayed different stories of their creators and displayed a wide range of styles. Cannon Gallery currently houses collages, vibrant paintings and elaborate 3-D art.

Put together by Linn-Benton Community College faculty, Western’s campus gallery had something new and exciting with every turn. From sexuality and religious imagery to defunding the police, each artist had a unique message to share.

Daniel Lopez, an art teacher at Linn-Benton shared his methods of creating minimalistic yet deeply meaningful pieces. “I didn’t buy any of the materials… it’s just recycling… that’s definitely a big philosophy with me, is to keep things as sustainable as possible,” Lopez said. All his acrylics were gifted to him, and he recycled canvases students had left behind.

Lopez then shared his advice for anyone who wants to pursue the world of art — “As long as you care about art, you’ll feel the need to do it. The best thing to do as an artist is to live outside of the art. The more interesting of an artist you are, the more interesting your art will be.”

Jill R. Baker followed another sustainable route by reusing chicken wire and fabric cording for her multi-colored 3-D pieces. The mixed-media materials made for an eye-catching display.

Baker utilized the accessibility of the Oregon rain for her sunshine pieces by allowing the water to make an organic design with the watercolor pencils she used. In the Pacific Northwest, sometimes vitamin D is hard to come by.

“Last spring, I decided I was going to make my own sunshine… in the late winter, the sun is so important,” Baker said. The golden works of art were nothing short of big, beautiful, artificial stars. In the rainiest and cloudiest of times, art serves as the greatest outlet.

Many aspiring artists may be overwhelmed by the multitude of possibilities and may be unsure of where to begin. “Just start making art and see where you go,” Baker said. There is a lot of truth behind her statement — take art one day at a time. Cannon Gallery will demonstrate that every artist is unique in their own way, all one needs to do is take that first step towards creation.

Póngase en contacto con el autor en howlentertainment@wou.edu

La Galería Cannon de Western muestra un arte increíble que despierta la alegría de los niños

Escrito por: Claire Phillips | Redactora de Entretenimiento

At the beginning of October, nine different artists from the Salem area showcased their pieces in the Cannon Gallery in Western’s Campbell Hall. The exhibit’s works of art used media such as paint, embroidery, clay and even coins and plastic figurines. 

The exhibit was titled “The Red Thread” — referring to the connection between the diverse group of artists. Inspired by a Chinese proverb, the red thread is said to connect people who are destined to meet. Following such, a literal red thread was hung throughout the Cannon Art Gallery.

Many of these artists collaborated, but each of their pieces displayed their unique personalities. Two artists, Susan Napeck and Jessica Ramey, had a similar theme to their art — returning to childhood. 

Napeck decided to embroider over the nostalgic drawings by their six-year-old self, depicting themself, their family and their home at the time. 

Ramey created a wondrous fortune-teller out of wood and clay, so anyone could come and find something out about themselves. 

Napeck discussed the connection between them and their art. Napeck’s inspiration came from the idea of “…letting go of old things and making new things with them,” Napeck said. 

Though the piece was sentimental, Napeck said they were alright with letting it go: “…once you make it into art, sometimes it’s easier to let go… once you’re done with it… you can let it fly.”

The fortune teller piece, titled “Elemental Fortune” and embellished with fake eyeballs and bright colors, drew many people in. Ramey had a different approach with their interactive sculpture. Though it was a fortune teller focused on reading personalities, they wanted to make sure it was unlike typical zodiac tropes. 

"The idea is just playfulness, and as adults, we kind of lose that a little bit,” Ramey said. 

The nine artists that showcased their work in the Cannon Art Gallery were part of a collective group from the Willamette Heritage Center. 

Both Napek and Ramey shared their thoughts on working alongside the other artists. “We all do very different things, but are equally curious,” Ramey said. 

In response to comparing their colleagues’ art with their own, Napek said: “as an artist, you try to give back to that facility without being self-conscious.” The idea of the red thread was present in both the profound words and work of the artists.

Póngase en contacto con el autor en howlentertainment@wou.edu

Cómo Washington y Oregón conforman la cultura del PNW

Escrito por: Liberty Miller | Redactora de estilo de vida

Las primeras cosas que vienen a la mente cuando se pregunta por el Noroeste del Pacífico son un tanto estereotipadas: árboles, café, clásicos de culto como Crepúsculo y Anatomía de Grey y el inevitable cielo lluvioso. 

Tomados al pie de la letra, todos estos subcomponentes de la sociedad del Noroeste del Pacífico parecen unidimensionales; sin embargo, nuestro pequeño rincón del mundo tiene una cultura rica y abarcadora, llena hasta el borde de pequeños momentos de alegría. En un lugar donde los días nublados consumen 222 días del año, hemos conseguido crear un espacio especial donde el arte, la cafeína y el medio ambiente coinciden para procurar el lugar confortable que todos llamamos hogar.

Ahora nos acercamos a esos tiempos. Los habitantes del Noroeste son propensos a la depresión estacional, la mayor parte del tiempo encerrados en sí mismos por las circunstancias. En consecuencia, creamos santuarios para alimentar nuestras mentes y disfrutar de las personas creativas y diversas que nos rodean. Los locales iluminan los espacios interiores con su arte. Los actos sociales, los clubes, la familia y los amigos nos arropan, haciendo que nuestros días sean un poco más luminosos. La rica y profunda relación de nuestra región con el café nos aporta a muchos calor y energía. 

Muchos de nosotros forramos nuestras habitaciones con plantas, reales o falsas, para traer el aire libre a nuestra cabecera. Muchos de nosotros vemos programas de consuelo y, para nuestra sorpresa, algunos de ellos nos tocan de cerca. Películas como Sleepless in Seattle, La saga Crepúsculo, Diez cosas que odio de ti, Halloweentown y Los Goonies muestran nuestro pequeño rincón del mundo, y encontramos consuelo en nuestra escasa representación. 

Aunque la población de esta zona es vasta y numerosa, nuestras ciudades y pueblos permanecen unidos. Hay una sensación de unión cuando la lluvia no cesa durante días porque sabemos que está bailando en los tejados de todos, embarrando cada zapato que sale a la calle. Millones de personas pidiendo café en su tienda favorita; millones de cuadros y carteles que cubren las paredes de tiendas e instituciones; millones de momentos cálidos pasados con los que están cerca de nosotros... 

Aunque apreciamos los momentos en que el sol se deja ver, no necesitamos que cree luz para nosotros. Podemos hacerlo nosotros mismos.

Póngase en contacto con el autor en howllifestyle@wou.edu

Art at Western

Art exhibits open for viewing this October at Western

Camille Lenning | Editor de entretenimiento              

Western’s galleries are open again after an 18 month hiatus, and pieces in galleries such as the Student Gallery in the ITC, the Cannon Gallery of Art and the second floor gallery in Hamersly Library are open for public viewing during normal building hours, 8 a.m. – 5 p.m. until Oct. 29. 

The Annual Juried Student Art and Design Exhibition returns in its 53rd iteration to the newly remodeled ITC, featuring the talented students who entered in last year’s online exhibit. 

Senior nontraditional transfer student Melody Barrett has two collage pieces in the student gallery, “Frida Rides Again” and “Ladies in Waiting.” A dedicated artist, Barrett has also sold a print of her piece “Ladies in Waiting” to the City of Monmouth Arts Committee. 

“I believe art is an expression of the artist, what we see and feel, experience and imagine,” Barrett said. “That is why I love using a wide range of mediums including collage, acrylic painting, soft pastels and mixed media, because each one allows my thoughts, feelings and ideas to come through in very different ways.” To see her other work, check out Barrett’s website at www.melodybarrett.com.

Graduate student Genvieve Hardin has two pieces in the gallery, sculptures “D20” and “Be Not Afraid.” Hardin is in the Master of the Arts in Teaching program, and has expressed her excitement for having her work in the ITC gallery.

“My art is a way to connect with others and express myself. It is wonderful to have my art on display; I always wonder what people see and feel when they view my work!” Hardin said.  

Senior zoology and art and design double major Tobin Roark has three pieces on display.

“’Liquescent Shift’ was a tribute to my gramma opening up and freeing herself from the grief of her husband passing,” Roark said of their art. “’Burning at the Stake’ was commentary on the demonizing of sexuality and women linking burning witches at the (stake) with pole dancers. And lastly ‘Touch of Menace’ … was commentary on how appearances can be deceiving and corruption and greed.”

Senior art major McKenna Suarez displayed her digital pieces “Photoshop Series” in the exhibit. Her art was the only digital entry. 

“These pieces to me mean a lot, as they help to represent or show what Social Anxiety is like to me, and the ‘tricks’ I use to help me talk to people or interact in public,” Suarez said. “Similar to the phrase ‘Just think of them in their underwear!’ when you ask someone for tips on public speaking. I just imagine everyone with a bird head with a cool aesthetic background.”

Senior art major David Tomasiewicz has one piece displayed in the gallery, “MotoDrop #3.” Different from the peers he shares the gallery with, Tomasiewicz’s preferred medium is animation or film. 

“I see art as a tool and means to create the animated fantasies that exist in my collective dreamscape,” Tomasiewicz said, “a way to invite people to peer into the landscapes existing within my conscious.” 

Also included in the exhibit are students Marilyn Bergsma, with “If Wishes Were Horses Beggars Would Ride” and Mitchel Garson, with “Image of Guitar,” “Insomnia,” “Why,” “Untitled” and “Unfortunate Futures.” 

Venturing outside of the student exhibits, Eric Tautkus, an aerosol and graffiti artist, has unveiled his newest art installation, “Derailed Marginally” in the Cannon Gallery of Art in Campbell Hall. This new work is a colorful, immersive piece spanning an impressive 50 feet — split between two walls. Smaller paintings by Tautkus are on display as well. When the exhibit closes on Oct. 29, two-foot square sections of Tautkus’ work will be sold to help fund the student gallery in the ITC. 

Additionally, in the second floor gallery of Hamersly Library, local artist Diane Elizabeth Wilson debuted her exhibit titled “On Bended Knee, We Honor Thee,” in reference to the symbolic act of kneeling in protest for civil rights. The exhibit features 60 oil painted portraits of civil rights leaders and activists that have made an impact on society. 

Póngase en contacto con el autor en entertainmenteditor@thewesternhowl.com

  • A portion of Eric Tautkus’ graffiti creation, “Derailed Marginally.”
  • Geneveive Hardin’s sculpture, “Be Not Afraid.”
  • Marilyn Bergsma’s artistic bowl, “If Wishes Were Horses Beggars Would Ride.”

Inspírese y supere el bloqueo creativo

Five tips for boosting creativity and overcoming artist’s block

Allison Vanderzanden | Editor de estilo de vida

Creative block happens to the best of us, and it seems to happen at the most inconvenient times. Whether a creative medium is needed for a class or work, or it is simply used as an outlet, it can be frustrating to be out of ideas. When inspiration is lacking, try one of these strategies to jump-start creativity. 

Set aside time to work: Creativity is a skill, meaning it needs to be practiced regularly in order to improve. Dedicating time to working on one’s craft ⏤ even if it’s only 10 minutes a day ⏤ can continually keep the creative juices flowing. Remove distractions for an optimal work session.

Do nothing for a while: Alternatively, take a complete break from everything, including social media, homework and other stressors. Give the mind a mental break and take the time to recharge. This relaxing time can also be used to daydream or meditate on possible creative project ideas and let the imagination wander.

Try a new medium: When totally stuck, it could be time to do something new, yet still on the creative track. Try a hand at painting, crafting, writing, music, photography, baking or any number of creative outlets. If a friend or family member is skilled in a different medium, ask to spend some time with them performing their activity together.

Change the environment: According to entrepreneur.com, a change of scenery, even a slight change, can boost creativity. This could look like redecorating a workspace or working in a different room or location altogether.

Enjoy other artists’ work: Gather inspiration from others’ creations; any type of media can be helpful for any artist. Listening to music, exploring social media profiles and groups, watching videos or reading books and stories can all be inspiring while also providing some entertainment.

Brainstorm socially: Sometimes, the best ideas can come out of conversing with others. Exchange ideas directly with other artists, providing prompts for one another to work off of. Or simply take the time to have a fun conversation; maybe an interesting, inspiring topic will arise.

Póngase en contacto con el autor en avanderzanden19@mail.wou.edu

Embroidery is one of life’s thimblest pleasures

Embroidery is the latest activity to try from home 

Natalie Dean| Editor de entretenimiento

Through the last year, people have had to get creative with their activities and pastimes. The world went through a collective bread baking phase and making the TikTok famous whipped Dalgona coffee, but there’s one activity that’s been overlooked. Embroidery has long been used throughout history to adorn and craft clothing items or to make elaborate art pieces. It continues to be a popular and eclectic activity, with a variety of ways to mix materials and try new designs. 

The starting materials don’t have to cost the artist a lot of money, and many smaller items can be found around the house or at an art store. It’s a hands on project that requires practice and patience, but it pays off to see the finished product. Here are some insider knowledge, tips and tricks that can make it easier to enjoy:

Starter supplies: 

  • Key items for any beginner embroiderer would be a wooden or plastic embroidery hoop or frame, a set of needles, thread of the artist’s choosing, fabric and sharp scissors. 
  • I find it useful to have a small pouch or container to keep supplies in, and it helps keep some of the smaller items organized.
  • Hoops, frames, fabrics and embroidery patterns can be found in thrift stores at low price points and often be bought in bulk. 

Optional supplies: 

    • There are specialty embroidery scissors that one can use, which tend to be smaller and sharper than traditional scissors — they are also often decorated or embossed. 
    • A thimble is small but mighty, and it can protect sensitive fingertips from the threading and sewing process. 
    • Using a very small amount of thread conditioner or beeswax can prevent tangling and knotting. If using a conditioner kit, lightly take the thread that is being used and run it along with the conditioning agent, while pressing against the thread with a finger. Then, pull the thread between two fingers to remove any static.

    Learn the stitches: 

    • Knowing the difference between a French Knot, a Running Stitch, Chain Stitch, Stem or Split Stitch, Long and Short Stitches, Woven Wheels and Lazy Daisy Loops will help narrow down which ones should be used for the desired effect.  
    • Take it slow at first; consider watching YouTube videos and practicing on cheaper fabric to get the hang of it. 
    • Watch out for pulling stitches too tight, which can distort the fabric and overall design. 
    • Overlapping stitches can provide a lush look for flowers or nature scenes.
    • Stitches that involve knots can be perfect for finer details or building texture.

    Póngase en contacto con el autor en ndean17@wou.edu

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