Mount Hood

“Pan” doesn’t fly in weekend box office

By: Ashton Newton
Freelancer 

Warner Brother’s (WB) “Pan” was a huge disappointment at the box office opening weekend. The film cost more than $250 million to make and market, but took home about $40.5 million worldwide.

This just adds to WB’s list of recent box office disappointments with films like “Jupiter Ascending” and “Entourage” also doing poorly. Even with the upcoming Chinese release on Oct. 22, WB is planning on losing at least $100 million on the film. This makes “San Andreas” WB’s only box office success of the year.

Not only was “Pan” a box office disappointment, it was also ripped apart by critics.
Michael Philips, the Tribune Publishing critic, called the film, “The official worst-ever Peter Pan adaption of any sort,” and Peter Bradshaw in a review for The Guardian said, “Joe Wright’s fantastically dull origin-myth reboot of the Peter Pan story resembles nothing so much as a John Lewis Christmas TV ad.”

Director Joe Wright faced some controversy earlier this year for casting Rooney Mara as Tiger Lily. Since the character is supposed to be a Native American, a lot of people were upset about the apparent white washing of the role.

The Harry Potter series was hugely successful for WB as it appealed to younger audiences and adults alike, so the studio wanted to fill that gap with retold classic stories. The studio was already developing a sequel to “Pan” and has a re-imagined “Tarzan” coming next summer.

WB needs a success with a huge year coming up in 2016, featuring “Batman v. Superman: Dawn of Justice”, and “Suicide Squad” hoping to kick off a large DC Cinematic Universe.
With the modern superhero movie craze, those films are projected to do very well for the studio.

There’s also the hotly anticipated Harry Potter Spin-off “Fantastic Beasts and Where to Find Them” coming out 2016 that looks extremely promising, but now the pressure is really on for WB with their upcoming lineup of films.

Goosebumps: frights, delights, pretty alright

Por: Declan Hertel
Redactor de Entretenimiento

When I was a kid, I was a wimp. As such, I only read a few of R.L. Stine’s bestselling “Goosebumps” stories. They were “2spooky4me,” as the joke goes.

That said, the ones I did read, I really loved, especially “Night of the Living Dummy.” They were spooky, fun reads starring kids just like me! And with 350 million copies sold as of 2014 and a further two million copies a year according to Scholastic, there are far more people who are far more invested in the series than I ever was.

The new film, starring Jack Black (“School of Rock”) as R.L. Stine himself, is clearly meant for that dedicated fan base, right down to the story following the same formula as many of the books: kid moves to new town, many spooky things happen, and the spooky things are eventually triumphed over.

This may sound disparaging, but I think keeping the formula intact helped the movie achieve its purpose: a healthy dose of nostalgia for the older viewers, while introducing the younger generation to these old tales of terror.

I expected three things out of this movie: scares, heart, and laughs; what I consider the three pillars of children’s horror cinema.
While the movie was lacking in the first and decent in the second, it definitely had plenty of the third.

The lack of any appreciable frights is easily the biggest disappointment of the movie. Even though the source material was kid lit, it was called “Goosebumps” for a reason.

While the visual rendering of virtually every monster from the book series is really cool, none of it ever approaches frightening, and the “greatest hits” parade of monsters unfortunately feels rushed. However, the inclusion of Slappy the Dummy (also Jack Black) as the main antagonist of the story was pretty darn freaky.

“Goosebumps” was better at delivering on the heart, though it took some time to get around to it.

While the lack of scares was disappointing, the biggest problem with the movie is that it takes far too long to get off the ground. Though once it does, it starts to pick up speed admirably with the introduction of Hannah (Odeya Rush, “The Giver”) to our handsome, witty protagonist Zach (Dylan Minnette).
I was initially skeptical of the impending romantic subplot, but I was pleasantly surprised by the chemistry and charm the two brought.
Speaking of pleasant surprises, “Goosebumps” is really, really funny, mostly thanks to Jack Black devouring the scenery. Black dominates every scene he’s in, carrying with him his trademark high-energy antics, a complete embrace of how ridiculous this entire exercise is, and a very conspicuous and utterly made-up accent (seriously, his exclamation of “Slappeh!” during the climax of the film made me double over with laughter).
If I am being honest, “Goosebumps” was nothing special, but if you like the books, want to see promising young actors deliver solid performances, or just can’t get enough Jack Black, you can’t go wrong.
3 out of 4 Paws.

Gory and Groovy: The Triumphant Return of “Fargo”

Por: Declan Hertel
Redactor de Entretenimiento

When my father asked me several years ago if I had ever seen “Fargo,” the Coen Brothers’ 1996 cinematic masterpiece, I told him I hadn’t. Without saying another word, he went into our living room and turned it on.

There was no question about it: “Fargo” immediately became one of my top three films of all time.

It was sometime in 2012 when I heard that a television show was to be made, also called “Fargo,” that continued to build on the setting and themes of the film: somewhere in the frozen Midwest, in or around Fargo, ND, there are people too desperate and ambitious for their own good, ruthless-yet-quirky criminals who would gut a man for a buck, and good-hearted, innocent police officers forced to come face to face with the darkest face of mankind.

The news filled me with a delight and anticipation I had never felt for pop culture before.

Much to my delight, the first season was unbelievable. It was near-perfect in every facet. “Fargo” ran to nearly universal acclaim, and though it was initially touted as only a miniseries, it seemed like FX, and creator/show-runner Noah Hawley would have been insane to not make another season.

That is precisely what they did. The new season premiered on Oct. 12.

Early reviews stated that it was even better than the almost flawless season one, and I am pleased to announce that two episodes into the second season, it looks like they were right: “Fargo” round two is absolutely killer.

Centering on the “Sioux Falls Incident,” an event oft-mentioned but never explained in season one, season two takes us to Luverne, Minnesota and Sioux Falls, South Dakota in 1979.

The nation is reeling from Watergate and the end of the Vietnam War; and as is the way in the “Fargo” universe, someone with too much ambition and too little brain creates a huge problem in a small town for both the local police and criminal populace.

This season stars Patrick Wilson (“Watchmen”) as Lou Solverson, a State Trooper recently returned from combat in Vietnam, Kirsten Dunst (“On the Road”) as Peggy Blomquist, a hair stylist with a creeping obsession with having a better life, and Jesse Plemons (“Breaking Bad”) as Ed Blomquist, Peggy’s dutiful husband and local butcher.

All their performances thus far are pitch perfect, especially Kirsten Dunst as one of the most compelling characters I’ve ever seen in any medium. The aforementioned are just scratching the surface of an amazing cast, which includes Ted Danson (“Damages”), Nick Offerman (“Parks and Recreation”), Jean Smart (“24”), and Bruce Campbell (“Evil Dead”) as Ronald Reagan on the campaign trail.

Thus far, season two’s most promising aspect is that while it’s retained the dark charm, murder, and mayhem that is the essence of all things “Fargo,” it is absolutely coming into its own as a piece of television.

If I have but one real criticism of season one, it’s that it stuck too closely to the movie in terms of plotting and characterization, at least early on. Not so with season two, which takes place almost ten years before the movie, and almost twenty before season one.

The only thing this season needs to do is make the “Sioux Falls Incident” something worth remembering, and with a vehicular mansla
ughter cover-up, two crime syndicates facing off, and a brutal triple murder already, I can’t wait to see how this season escalates.

I feel the phrase “must-see TV” is a cliché, but I am using it here. “Fargo” is truly must-see TV. When “Breaking Bad” and “Mad Men” ended, all of a sudden the honor of “Best Show on Television” was up for grabs.

I’m calling it now: “Fargo,” by midway through this season, will have one major entertainment news outlet declare it as such. And they will be right.

If you have any love in your heart for black comedy, for murder mysteries, for perfectly executed drama, for the art of the television show, the verdict is simple: if you are not watching “Fargo,” you are criminally misusing one hour of your time every week.

Adam Carter Sets out to find America’s Sound

Por: Declan Hertel
Redactor de Entretenimiento

I sat down with WOU Student and musician Adam Carter over a pint this weekend to talk about his upcoming documentary project.
Declan: So what is this documentary all about?
Adam: Me and my friend JT [Mozingo], we’re going to go around the country, trying to find amateur musicians, and professional musicians, we’re going to do everything music. We’re going to go to recording studios, talk to teachers, talk to students, and we’re going to try to record intimate sessions with them, interviews, and live performances of songs. We want to give exposure to amateur artists, and we want to show everybody that there’s a lot of hardworking people out there that have a lot to offer, but aren’t going to get the exposure.
D: So the super underground?
A:Yeah, the super underground and the super popular. We want to do everything. Doesn’t matter who it is, we want everybody.
D: How did the idea come about?
A: I was walking home from school, and I was thinking about the road. Last summer, I went on a trip for a month last summer, we went all around the west coast. And I was thinking about life on the road, and how I missed it, because it’s different, you know? There’s no routine, something new every day. I was thinking about how I could do something like that for the rest of my life, or make some kind of career out of it, something like that. And I thought, “wouldn’t it be cool to make a documentary about a road trip?” But that’s really not enough, and I love music, and everybody around me loves music, making it, listening to it, so why not put the two together? Go on a road trip for a year, interviewing amateur artists from all over the place. It’s a travel documentary, people like traveling, people like music, there’s a market for it, and this is the kind of thing that doesn’t happen that much, people don’t really go around doing this. And what really inspired me: Alan Lomax, in the 30s and 40s, him and his dad would go around in the south and record a bunch of blues musicians, blues was their favorite I think, but they went all over the world, at least Alan did, and recorded music that wouldn’t have been documented if he didn’t do that. A lot of my favorite songs were recorded by him, and we wouldn’t have them if he didn’t go around and do that. So I think it’d be cool to discover some stuff that wouldn’t normally be out there, and turn people onto some new things.
D: I love that. The idea that there’s so much music that’s beautiful and worth listening to in the world, and I’m not going to hear even half of it…
A: Yeah! And even if I’m not a fan of it, other people will be. What we want to do is give exposure to every single person that records with us. We don’t want to take ownership of any songs or anything.
D: What’s the time frame for getting started in earnest?
A: We want to be on the road in spring of 2017. We have a lot of work to do though; we need to get experience with cameras and editing. We just got a couple cameras; we’re hoping to start shooting pretty soon. We’re going to start shooting locally before we branch out, so Portland, Salem, even Monmouth. Another thing we want to do is go around to bars in the Salem area, and if they have live music, interview the musicians there, the owner, the patrons, just to get some sort of a following first. I think just even locally there’s so many people working hard and making music, and they deserve some exposure.
D: Amen. Speaking of support, are there plans for a Patreon or something where people can support your efforts?
A: There’s not right now, but we’re going to do a Kickstarter when it’s closer to being time to go. We’re gonna be saving up ourselves, a lot. The main thing you can do to support us right now is share. Tell your friends.
D: If we know people, send them your way?
A: We would love to hear from everyone we possibly can. We want to answer questions, we want to give no misconceptions that we’re trying to screw anybody over. We’re in it for, I mean obviously it’s selfish in some ways, but we really do want to give exposure [to artists] and have an adventure while we do it.
We’ve got connections so far in a few different places around the country; we’ve heard from a lot of people in Indiana, we’ve been talking to a guy who lives in Georgia, [some people in] Arizona, Utah, New Mexico. We’ve got a lot of different prospects going on, and we want to get as many people [as we can], all around the country. So we want to advertise and make it available for people.
D: Do you know of any places that have a super vibrant indie scene? I know San Francisco’s got a crazy scene.
A: I’ve heard Austin, Texas has a lot, they’ve got some good stuff going on, San Francisco like you said. I don’t know about indie, but I know Chicago’s got a big urban blues scene, I believe that they are the blues capital currently. And I have family in Chicago, so that’ll be nice. What I’m looking forward to most is Mississippi, I love that Delta Blues.
D: Are there any other places you’re especially looking forward to?
A: The whole south I’m looking forward to, just because I’m such a huge blues fan. But I want to try to go to as many national parks as we can too, because I love national parks. Our country is very beautiful, and a lot of people don’t know just how insane some of the natural wonders are. We want to document those too, that’s part of the adventure. We visited seven of them last summer, it’s amazing. Yosemite National Park, if you’ve ever been there is just… I think we went to seven national parks and Yosemite was by far my favorite. Grand Canyon’s got nothing on it.
D: How do you think the acoustics are at the bottom of the canyon?
A: Echoey. Maybe we’ll do a session down there, ride the mules down.
D: Do you have any plans to shoot in cool locations like that, or mostly living rooms?
A: We want to be able to record outside, definitely. We also want to rig the video we have to have a little studio so we can record if we don’t have anywhere else. We’re also probably going to be renting a studio. One thing I’m really excited for is, apparently, JT knows a guy[…] who runs this bus in San Francisco, and it’s like a punk bus, there’s a stage in the back and there’s punk shows on the bus. They drive around San Francisco with a punk band playing in the back. That sounds really, really cool and I can’t wait check that out.
I’m really excited to shoot the WOU too. As many people as want to do this, I want to do it with them. Just shoot me an email, we’ll set up a time. I would love samples, I can’t get enough of them.
D: You’ve already got some people, yeah?
A: Yeah, we want to do a few practice sessions by ourselves [first], and then we want to start doing that. We’ve got access to microphones and editing equipment through the recording studio. We’re probably going to do our first session […] within the month, then make the Facebook page live. Our goal is to start putting out weekly videos, after we get a few videos, so I want to get three or four before we start. We want to keep people updated and keep them into it; we want to have content coming out at a consistent rate.
D: Do you have a route planned?
A: We’re going to go down south through California, the same route we took on our trip last year. We’re going to go all the way to the bottom, there’s this place called Slab City, you know where that is?
D: Yeah! That’s kinda like a… commune or something? Lawless?
A: Yeah, it’s a squatter’s community. We met some cool people there last time we went, we want to go back. They have concerts every Saturday night. There’s this place called the Range, it’s a bunch of buses put together with a stage. We met some people there, you know, we hung out with them for a few hours, but when we were leaving it felt like we were leaving our family a little bit. It was amazing. We want to go back and connect with them, and that’s going to be interesting to shoot. There are so many crazy people down there. Insane. Meth-heads, their pastor came while we were there to say a prayer over Mariah, the woman’s foot… fun fact, Mariah is, if you’ve seen the movie “Into the Wild”, the girl that Kristen Stewart plays is based on her. But anyway, he was this guy, he was really skinny, he had his shirt off, he looked like a miner. He had this huge beard and this hat, and he was the pastor! I’ve never seen a pastor like that. Everything down there is pretty crazy.
D: Then down through Arizona?
A: Through Arizona, through Texas, there are a couple places in Texas like Austin and Houston; Lightnin’ Hopkins is from Houston and I want to try to delve into that, see if there’s anything about him down there because he’s one of my favorite performers. And then make our way into the South, kind of zig zag through the Midwest, go up the East Coast, then head back through the North. I’m from Illinois originally, I have some family, southern Illinois and Chicago, so I hope to visit them. A guy that’s going to be one of our camera men, he’s from Indiana, so he’s got connection out there. We’re going to try to hit as many states as possible. And we have a year, that’s what we’re planning on doing it in.
D: This is super cool. I’m guilty of this, people talk about big plans, and like “I’m writing a novel!” or something like that, and you never do it. And to see a couple of dudes who said, “let’s do a thing,” and then are going to do the thing, it’s reassuring.
A: My whole life people have been telling me “follow your dreams,” right? And then whenever it’s time to do that, people say, “well, is that really realistic? Is that really going to work, you’re kind of going out on a limb here.” But my whole life people have been saying follow your dreams. So let’s do it! We would regret it if we didn’t, so we’re going to do it. That’s what it’s about, you know. Not having any regrets, looking back when I’m thirty and saying, “wow, I wish I had made that documentary, I wish that I had done that. That would have been a really great life experience but I can’t really do that anymore.” I have a kid or something, you know. I don’t have any kids! I’m 21 years old, I don’t have anything really tying me down. So we’re going to do some cool stuff. Try to travel as much as I can, see as much of the world as I can before I settle down.

Dead by dawn

By: Darien Campo 
Freelancer

Continuing my October horror movie marathon, this week brought me … “Coraline” (2009), “House on Haunted Hill” (1999), “Nightmare on Elm Street” (1984), and “The Babadook” (2014).

I also had a chance to re-watch my favorite trilogy of movies — and just in time, because with a brand new television show premiering this month, Sam Raimi’s “Evil Dead” series is about to come back in style.

I watched “Evil Dead” at a young age, and I’ve been hooked ever since. The original “Evil Dead” (1981) is a testament to perseverance, brimming with the potential of fledgling director Sam Raimi and actor Bruce Campbell.

Reading Campbell’s autobiography “If Chins Could Kill” gives a great insight into the impossible odds these college students faced trying to make their first feature-length film. It may stumble in its delivery, but “Evil Dead” is an accomplishment in gore cinema.

“Evil Dead II” (1987) is by far my favorite of the series. The sloppy mess of violence that made the original Evil Dead great is now mixed with Bruce Campbell’s unique style of Three Stooges-esque slapstick overacting.

This sequel/reimagining takes a more comedic turn on the genre, giving us a hilariously twisted romp that has you gasping in shock between peals of laughter. “Evil Dead II” knows you’re not taking it seriously, so it doesn’t bother either.

The final film in the trilogy is the funny and endlessly quotable “Army of Darkness” (1992). While “Evil Dead II” strikes a perfect balance between scares and shticks, the third movie has made it all the way to other side of the spectrum, where it is now a straight comedy with horror elements.

The second film may have had its over-the-top moments, but “Army of Darkness” is an over-the-top film. The entire setting of the series is flipped on its head and our hero, Ash, becomes a cheesy one-line spewing powerhouse of hilarity.

But true to its themes the “Evil Dead” series lives on.
2013 brought us a fantastic remake that had all the heart of the original and all the special effects of today. A hilariously messy musical has also found its way to the stage, which you can see at the 2nd Street Theatre in Bend, Ore. every year.

Finally, you can catch the fast-approaching “Ash vs. the Evil Dead” series on STARZ, premiering Oct. 31, 2015. It is a terrific time to be a fan of “Evil Dead.”

El nuevo chico del late night: The Daily Show con Trevor Noah

Por: Declen Hertel
Redactora de Entretenimiento

Al igual que muchos estadounidenses, me entristeció mucho que Jon Stewart dejara "The Daily Show". Empecé a ver "The Daily Show" en mi primer año de instituto, y ver a Jon Stewart enfrentarse a toda la hipocresía y estupidez del mundo era de donde sacaba la mayor parte de mis noticias. Pero después de dieciséis años en la silla del capitán, Stewart decidió que era hora de seguir adelante.

Cuando Trevor Noah, un cómico sudafricano de 31 años, fue anunciado como sustituto de Stewart, me sentí intrigado y un poco escéptico.

Me gustó su trabajo en "The Daily Show" durante la etapa de Stewart, pero aún no parecía probado. Esto también se produjo después de que "The Nightly Show with Larry Wilmore" ocupara el lugar de "The Colbert Report", que me pareció (y me sigue pareciendo) un reemplazo mediocre. ¿Cómo lo haría el nuevo presentador en un momento tan tumultuoso para las noticias falsas?

Después de haber visto la mayor parte del programa de Noah hasta ahora, puedo decir con confianza que "The Daily Show" está en buenas manos. Los primeros episodios fueron duros, pues era obvio que Noah aún no se había asentado en su nuevo papel, pero ha ido mejorando y ganando confianza a medida que avanzaba el programa.

Aunque echo de menos el sarcasmo mordaz y algo cansado del mundo de Jon Stewart, la energía juvenil que aporta Noah es un cambio de ritmo bienvenido. Hay más espacio para la tontería y las travesuras con él al mando.
También aporta su propio espíritu a las piezas más parecidas a las de Stewart; hace poco hubo una pieza divertidísima sobre las similitudes de Donald Trump con los presidentes africanos corruptos que no habría encajado bien con Stewart, pero que le salió muy bien a Noah.

Creo que si Noah es capaz de encontrar lo que puede aportar, y no intentar ser el próximo Jon Stewart, le irá muy bien al frente.

El Imperio Contraataca

By: Jack Armstrong 
Copy Editor

Set for a release date of Nov. 17, 2015, EA and Dice’s collaborative effort at reviving the Star Wars Battlefront series is already surrounded by huge hype.

This past weekend saw the general public’s first access to a playable version of the highly anticipated FPS, and what was available for the trial was as impressive as promised.

Survival was the only single player/local co-op modes available to the beta participants, while “Battles” and “Training” will be closed until the full version arrives. Survival, as the name implies, simply pits you against wave after wave of Stormtroopers and AT-STs.

Maps for Survival will include Tatooine, Sullust, Endor, and Hoth upon release, but Tatooine was the only playable mission and it was only playable through six of the 15 waves.

Some of the best features in Survival include a cameo by Admiral Akbar who barks orders in his distinctive voice. It’s not a trap this time, the graphics are excellent, and the waves are full of variety in both items and enemies.

The map is big and offers some interesting distractions like randomly placed collectables for extra points. Couch co-op as well as online co-op is a great feature for those of us old-school kids who still like to play games together.

On the flip side, the difficulty was null on the “normal” setting. In fact the 5-6 times I played through and beat the Survival mode, I only died once that wasn’t of my own stupidity (see running of the edge of the map).

It would be better with the addition of useable vehicles, but it remains to be seen if EA will make this an option in the final release.

The online multiplayer modes available for the beta were Dropzone, basically team death match with an assault and defend twist, and Walker Assault, a conquest style games with vehicles and heroes.

Modes not available included Supremacy, Fighter Squad, Blast, Cargo, and Droid Run. I was especially disappointed that Fighter Squad wasn’t available, but EA needed to save a trick or two for the release.
The graphics are still great in the online games, but the frame rate drops more than in the single player options. Players have access to a wide range of power ups, like landmines and weapon charges so everyone on the battlefield could have something up their sleeve.

Vehicles are fun (if difficult to drive at first), but heroes are the highlight. Playing as Darth Vader and Luke was great, and since power ups are not based on performance, you won’t have to miss out on the fun if you’re having a bad round.

However, Walker Assault maps can be a bit daunting, and it’s difficult to spot your objectives or your party members on the mini map. Not to mention the party system for connecting with friends is still buggy, but I imagine this will be fixed before we all get to play.

In all modes, playability was much easier than its cousin FPS Battlefield, forgiving but precise when necessary. In fact the whole game plays a lot like Battlefield in how you progress and unlock upgrades, and how you fight in battle but vehicle driving is made easier, very approachable.

There is a “Star Card” system for customizing your character, and it’s easy to tailor these to your playing style whether you’re a “spray and prey” player or a “hunt and snipe” type.

Overall I would highly recommend this game for all lovers of FPS, or just plain good games, but I would particularly recommend it for Star Wars fans. The sound track, atmosphere of the maps, and the attention to details in things like vehicle performance and design is extremely authentic.

Honestly it made me feel like a part of the movies, and that’s all I could have asked.

4.5 out of 5 paws, just for the beta!