Erin’s “Writing Manifesto 2.0”

erin-manifesto-photo

My Writer’s Manifesto was supposed to be something beautiful. I had two thirds of a draft, ready to go – I’d even run it by Katherine – and I was mostly proud of it. It was good writing. I may even post it somewhere.

But it wasn’t the truth. I thought it was, I absolutely did. I really wanted to talk about finding the nuances of creativity within the realm of scholarly rules for writing, and the way water has always played such a massive role in my history with writing. But I couldn’t do it. Not this week.

My life blew up in my face this year, and if that’s not representative of my relationship with writing, then I don’t know what is. I had to do a lot of uncomfortable self-discovery and examination, and basically spent the year feeling like I was about to burst into a million scraps of human. Oh, and Alan Rickman died, which was unnecessary.

It was, and is, rough. But I’m here.

Writing has always been there for me. I don’t know why I love it so much, honestly. Nobody really nurtured my relationship with words outside of my parents spending money on journals. Okay, I take that back. They read me hundreds of other people’s stories and were always more than ready to read anything I wrote. They told me I was good, that I had a talent. But being told I get along well with someone (in this case, writing) doesn’t mean I fall in love with them. I just did. And I don’t know why.

Writing has cradled me when I felt like I was alone. It is my main mechanism for talking to other people and to God. It helps me spit out the black, confused feelings that build up inside, and even if I can’t organize what I think, at least it isn’t inside me anymore.

I was wrong with my first draft. Writing isn’t about making something beautiful. It, for me, is about being honest.

There’s a reason that when I feel trapped by life, I write. There’s a reason that when I get a surge of creativity, it comes out on paper. There’s a reason that I live and die by cheap BIC mechanical pencils and why, when everything is falling apart, I do what I know best. I write. It is my baptism and my purifier; it is all I have on the days where I feel like bolting.

I hate Ernest Hemingway. His writing, of course, is brilliant, but he was more or less an irresponsible, overly macho excuse of a man. That being said, he did have some good advice: “There is nothing to writing. All you do is sit down at a typewriter and bleed.” When I am tired of the excess of life, when the wonders of its constant dramaticism have exhausted me, writing is simple. I don’t have to sound good. There’s no one to impress. I can just bleed.

Formal writing has its place. Maybe what I’m handing you isn’t even what was meant by a Writer’s Manifesto, and you were expecting something that stuck to conventions and didn’t start sentences with “but” at least four times. The rules are great. Writing for a particular audience has its place. I will always love a flawlessly formatted works cited page and gorgeously complex sentences. But this is it. This is me.

Writing is used for an array of amazing, pretty things, but I think at the end of the day writing, in its purest form, is for telling the dirty, painful, emotionally wracking truth. Once the bitterness has been written out, something kinder can begin to grow from the tender wounds. After all, fairy tales and romances still need to be written, and so do love letters, and poems about the color of a May sunrise, and descriptions about the silkiness of waves brushing over the sand at my favorite beach, and everything else that is lovely and good. Just not yet. Just not today.

Cody’s “Shackled”

codyWhen writing research articles, authors must keep their language formal (Welty, 2016). They must use citations, attempt to eliminated passive voice, and follow strict rules according to their discipline’s formatting style (Welty, 2016). Researchers must carefully formulate new ideas and theories in order to avoid mistakes in their conclusions (Welty 2016). Every new idea forms from a previous one, with every sentence originating from another article (Welty 2016).

While this style of writing gets the author’s message across, it leaves no room for creativity or originality (Welty 2016). I long for a way to express myself through powerful, passionate prose, but the restraints of research writing confine, restrict, and hold my mind hostage to its structure. The lack of emotion in research text also contributes to a lack of emotion during reading (Welty, 2016). Readers search only for information, not for sentimental value or entertainment (Welty, 2016). I want to feel when I write. I want whoever is reading to feel. I don’t want to worry about this being “frowned upon for this format” or that being “probably not wise to include”. I want the power to propel people’s positions on what writing means, and what it means to read the writings of others.

Past research has shown the need for research-purposed writing, but has yet to examine the impact of this writing style on the psyche of its authors (Welty 2016). Does writing dry words leave other authors with parched hands, thirsting for the relief of true language? At times, I gaze through my own written words with eyes that see only a void of emotional nothingness behind them. Research writing has its place in scholarly environments, and is an important way to get information to readers who only need information (Welty 2016).

Too often I find myself realizing the words that I have written mean nothing; they exist strictly for the purpose of showing something else exists. When I am free to express, move, and propel my thoughts and as through my words were bulls raging down the streets of Spain; that is when I am writing. I am not writing when I put words down on paper. I am not writing when I type away at my keyboard with statistics and formalities. I am not writing when I repeat the ideas the minds before me have discovered. I am writing when it’s the late hours of the night, and I scribble down my thoughts that keep me awake.

I am writing when sparks fly from the keyboard as the hammers that are my fingers tirelessly forge the scorching words. I am writing when my own mind’s discoveries plunge down my nervous system and through my fingertips in a flurry of discovery and graphite. I write for me, and I write for a mind that longs to be free from its box. Research writing style holds my mind captive for now, yet, at the gates of its prison, my creativity looms, silently holding the key.

 

Alexa’s “Five Little Pieces of Writing Advice”

alexapic

  1. Writing is an evolving skill, not a born trait. Nobody comes out of the womb holding a pencil and writing Shakespearean love sonnets. Stephan King and Leo Tolstoy did not write books as toddlers. It is a assumption that bothers me as a writer. I always get apologies by friends, family, and students over the state of their writing. Heck, I catch myself doing it too. By perpetuating this crazy notion, we are stunting the growth of people as writers. It has taken me years to get to this point with my writing skills. Perhaps we as human beings need to be reminded for our own sakes.
  2. When in doubt: Cite.  Citations are highly important to you as a writer. It gives credit where it is due. For myself personally as a historian, my entire academic integrity is based upon my ability to accurately cite primary and secondary sources. Not nearly as daunting as it sounds when you realize that with the discoveries and accomplishments of others, you can be inspired as well as provide acknowledgement to those who inspire you. I am also asking you to please not use Wikipedia as a academic source, it makes me cringe.
  3. Don’t pull all–nighters. It provides zero help to you as a writer. Sleep is beautiful. Your mind is beautiful. Combining these two ideas: Beautiful mind and Beautiful sleep. So sleep people. Your mind will thank you and so will your professors for not turning in gibberish. Let’s not make all-nighters a college experience. Don’t be like me my sophomore year and be up until 6 a.m. eating pizza rolls and working on a paper. Minus the pizza rolls, it is not fun.
  4. When stressed, take a break. For that moment when you are super tired and just need a mental break. It is not healthy to work for hours and hours with no break. It is not good for you or your paper. Watch Netflix or listen to music. Whenever I’m stressed, I eat ice cream. Ice cream is always a great idea. So if you are stressed, go eat that ice cream! (Ben and Jerry’s has dairy free ice cream now for vegans and those who are lactose intolerant) Or go to the gym if you are in to that or catch some Pokemon. Whatever floats your boat.
  5. Write about things you are passionate about. This will help you long term. If you don’t have a passion for what you are writing about then it makes it just that much harder. We all have that one paper that we are assigned and have no passion for. In that case, work with the topic until you can make it into a topic that you are mildly interested in. Fake it until you make it.

Bridget’s Manifesto

bridgetI write as an internal reflection;
To weigh where I have been; what I have done
Pen on paper: a linguistic resurrection
When all is compiled, what is my sum?
Planets ellipse amongst a sheet of fixed stars
But my hands mold time like warm clay
Memories; my medium, complied to carve
To deflect the trials that come my way
Passion, provide me a means for escape;
To abscond from the physical hour,
An instrument to dream, as I lay awake
Make meaning of an aimless scour
The internal discourse and my means to decipher
Mark my itch, my twitch, my ache to be a writer

Hailey’s Manifesto: “Guide to Yoga (or Writing)”

 

Manifesto Yoga Pic

  1. Get in the Zone

Pull out your yoga mat (or pull up a chair and get situated at your desk.) Put on comfy, stretchy, breathable clothes. Tune out all humans around you. Is it not rude to wear earplugs at this point in time.

  1. Still Your Mind

To begin, you must clear your mind. Pour out all distracting thoughts. This may require writing two, three, or four To-Do Lists, to organize all the clutter in your brain. Open the mind. Test the imagination. Let the ideas flow and wander. Expand upon them.

  1. Becoming One (With the Topic)

Pinpoint a topic. Ponder that one. Fall in love with said topic. Gain immediate burst of fierce energy and enthusiasm for said topic. Commit to it with your heart and soul.

Mull it over (for several hours, or several days, depending on the due date of the first draft.)

  1. Begin Stretching

Consider the chosen topic from all angles. Yes, this means the angles that are uncomfortable. Stretch your ways of thinking. Experiment. Extend into new positions. Take on viewpoints that may not make sense, or may seem impossible. Brainpuke everywhere. Piece of advice: you may not want to eat a large meal before strenuous yoga (or writing.)

  1. Assume Methodical Positions

Do what works best. Make lists. Create an outline. If you lose your balance and fall over, (your outline is a horrific disaster), do no fret. Get up, pretend nobody saw you fall, and simply construct a new outline. Master the outline. Hold the pose.

  1. Sweat it Out

Feel one bead of sweat trickle down your face. This is a mark of sheer perseverance. Feel your heartrate accelerate. Take pride. Wipe the sweat, take a drink of water, take a deep breath and press on. 

  1. Feel the Rush

Get in the rhythm of the paper. Type freely, without hesitation, fear, or judgement. Allow time to pass without a care. Nothing can break your focus now (well, except maybe an occasional text or Instagram notification.) Feel strength building through the burn. Envision your ideal body (paragraph) and make it happen. Push through the final pose and finish!

  1. Accomplished

You have completed your workout! Take extra caution upon standing. You feel weak in the knees, wobbly, and possibly light-headed, yet strangely invigorated and full of life. You feel ten feet tall. Now, all you can think about is your next meal, which you have fully earned. Reward yourself.

Erika’s Manifesto: “Tree of Writing”

Writing Tree
Deep within the core of my intellectual greenhouse grows the convoluted tree of my writing. Its ever growing life force began, like so many trees do, as a seed carefully cultivated in my imagination. Slowly, it was fed with ink water and nutrients of recycled paper. The sprouting of this tree was achieved with challenge, but perseverance. Words upon the paper—the earliest results of nourishment, tangible evidence that the sprouting seed was, indeed, growing, and growing swiftly.

It didn’t take long for the sprout to thicken and become a sturdy shoot. To continue its laborious growth from seed to sapling, my tree of writing required a more specific type of nourishment: that of instructional food of thought (e.g., grammar, genre, parts of speech, elements of various forms, etc.). For twelve long, formally structured, and concentric years, the trunk of my writing tree expanded, both in breadth and altitude. A few branches had begun to reach out into the world, each so diverse and distinct from each other, but rooted in the common language of my tree trunk.

Today, my tree stands strong, in the center of my regulated garden, nourished by the sunlight of my passion. The branches are numerous, but varied in length and strength. Climbing my tree, some limbs would support my weight, helping me rise in the world, expanding my horizon. Other branches are merely twigs—small, underdeveloped and malnourished avenues of genre, style, and form. They would snap beneath my entire weight should I try to stand on them. But they are not done growing. Every day, those weak twigs compete for resources from the larger branches: those branches developed from passion and interest, nourished daily by practice and continued pursuit. These sturdy limbs are those of creative writing, literary essay, and psychological research and reviews, and it is these three branches that reach the highest, support the greatest weight, and sprout the most numerous and greenest abundance of leaves.

The smaller twigs of economics and history, biology and business may remain only sprigs with a single or couple of leaves of experience, but they exist, even if only by mere exposure to basic nutrients they manage to siphon here and there. This is not to say that these sprigs are useless altogether. While they may not support my weight as I climb to greater elevations, they are still a bud in my intellectual garden and a notch on my tree of writing. They may still provide a purpose as I continually strive to serve others, offering tendrils of wisdom and guidance from the knowledge that makes up my tree of writing.

Each essay, each story, every novel, and every piece of poetry is another leaf on the branches of my tree. Each leaf has its own purposeful path from germination to maturity; its own format and organization, each one distinct and different from the other, but they all originate from the same base—the same roots that have entrenched themselves deep in my mind.

My tree of writing is the heart of my intellectual garden. The roots are well situated and reach deep into my past, present, and future. The branches continue to develop and bloom with persistent sunlight and practice, producing more and more leaves through the relentlessness of time. My writing tree shall never see an autumn or winter, where leaves are shed and lost. My writing will endure; it will remain green and prosperous in a never ending spring and summer that will continually provide passionate sunlight and knowledge-based waters for its eternal growth.

Morgan’s Manifesto

Manifesto photo
With war encroaching on their lands, the Tfel community and the Trihg community scheduled a meeting with their leaders to discuss possible options of working together. Before when raiders had come from the badlands to steal and pillage for their own amusement, each community was able to defend itself without risking their pride by asking the other for help. This time however, each community realized the results from their pride and stubbornness would cost them more than just a few lives. In this case, the enemy forces from the West would prevent them from completing the project they had been working on together for years. While the two communities were often at conflict with each other, some years past they had agreed upon constructing a safe passageway to the South where they could transport new materials.

After various meetings with the community leaders, which often ended with heated arguments of one accusing another of trying to take control, Tfel scouts bust through the meeting hall in the middle of such an argument, announcing visual confirmation of enemy forces. At the news of the enemy approaching, the Trihg leaders scrambled out of the hall in order to gather and prepare their forces for a battle that would hopefully prove to be most challenging. The Tfel leaders on the other hand, despite feeling the crushing need to prepare immediately, took a deep breath and sat down once more. With tense hearts and white knuckles they discussed their battle plans, strategies, and all possible outcomes thoroughly before setting off to prepare. Before final preparations were complete for the night, the leaders met briefly to discuss something resembling a plan in an attempt to get everyone on the same page.

Sometime later when the sun began rising, the Tfel scouts from earlier announced the enemies forces were approaching the soon to be battlefield. Once in sight of each other, the Trihg forces spread out in front of the enemy forces with weapons in hand, with the Tfel soldiers hiding over hills on either side. After a brief moment of silence, the enemy forces and the Trihg soldiers began to race into the battlefield, yelling cries of war into the sky before colliding with each other in the middle.

The Tfel scouts watched from the hills for minutes, witnessing nothing but confusion and chaos, unable to discern who was making any ground. Soon after, it became obvious the Trihg soldiers were forcing the line of enemy soldiers back. Their soldiers excelled at brute physical strength and were able to rush into battle in a chaotic manner and after a tense beginning, were visually crushing their enemy. However, as the battle raged on, the scouts noticed the growing fatigue and confusion growing among the Trihg soldiers. While their chaotic rush strategy, or lack thereof, worked at surprising the enemy and taking them off guard, it could only last for so long before the enemy regrouped and began focusing on the strongest key players of the battlefield, who were typically at the front most line taking on the most difficult of enemies.

At this point the Tfel scouts sounded off an incredibly loud horn, signaling the Trihg soldiers to retreat. Realizing their initial steam was gone and their fatigue was growing, they ignored their pride and began retreating backwards through the valley of the hills. After gaining some distance and feeling the Trihg soldiers had sufficiently retreated, a few Tfel scouts from down from both sides and waited for the enemy forces to cross their line of sight before setting off rows and rows of explosives set underground beneath the enemies feet. Through the smoke and confusion, the rest of the Tfel archers raced up from the hills and took their stances before bringing up their bows and launching their arrows into the mass of soldiers below them. A second row of archers stepped up, launching their arrows while the first row fished out more arrows and began trading off and on with each other.

While the Tfel scouts and archers drastically reduced the enemy numbers with their loads of bombs, traps, and arrows, the Trihg soldiers began regrouping with the time provided by the scouts. As the enemy started charging the Tfel archers, the Trihg rushed back into battle. With their brute strength and the archer’s strategic arrows from above, they effectively pummeled the enemy forces backwards until the enemy leader announced a retreat. Despite the leader retreating and losing some of the lives of their own soldiers, it was clear the battle was won by the combination of strategic maneuvers and chaotic rushes of the two communities.

Sometime after the battle, with renewed motivation and connection with each other, the Tfel and Trihg communities were able to co-construct their passageway through the valley leading south for needed materials, thus allowing their communities to flourish with rewards.

Michael’s Manifesto

Okay, I’m supposed to write a “Writing Manifesto.” Here goes. I sit down and open my laptop. But first I hear my wife’s voice telling me to sit up straight because my posture is terrible. My posture is terrible, but my house is crooked; I figure they balance each other out (no, seriously, my house is crooked. My daughter will drop a round toy and watch it roll all the way from the kitchen into the bathroom).

I arch my back, overcompensating, roll my shoulders, and lean in. Oh, great. Now I’m doing that young-adult-first-person-present-tense thing that I can’t stand. It’s everywhere! Stop it! It might have been okay the first time, but now its just annoying. It’s not possible for someone to experience what’s going on and at the same time be writing about it. This isn’t a documentary, this is supposed to be literature. Ugh. Sorry. Let’s get back to my writing manifesto. I begin to type:

The writer wakes up at five in the morning. He must do so if he wishes to accomplish anything word related before his children and wife wake. It’s still dark outside. Sitting down at his desk, he remembers something crucial: coffee. Five minutes later, mug in hand, he sits back down and stares at the white screen. The cursor blinks.

Blink. Blink. Blink.

He types a few words.

Writing Manifesto.—Eh, That’s okay, I guess. I’ll change it later.

Blink. Blink. Blink.

His stomach begins to hurt and he remembers something else: food. There’s no time to make anything too substantial, so he pops some bread into a toaster and sits back down to stare while secretly just waiting for his toast.

Blink. Blink. Blink.

       Writing Manifesto.

Writing is a meansdelete. No.

Blink. Pop!

Oh, relief! He pushes back from the desk and the taunting blank screen of his computer. The toast is retrieved, buttered, peanut-buttered, and hastily consumed, because the writer has important things to write. He sits back down.

He shifts his posture, rolls his shoulders, slumps back in his chair and sighs.

Blink. Blink. Blink.

Writing Manifesto.

I love writing. delete. Stupid, and not really even true (don’t fire me!).

Blink. Blink. Blink. I want more toast. Why can’t I savor anything?

His hands run through his hair, he sits up, arches his back and rests his hands on the keyboard as he leans forward, as though his laptop will whisper the words he can’t find.

His vision blurs. He shakes his head and rolls his shoulders again.

Blink. Blink. Blink.

My Writing Manifesto.

Writing is a way of communicationdelete, delete. Boring. Writing is the       manifestation of thoughts indelete, delete, delete! “Manifestation.” What a jackass.

Blink. Blink. Blink. Cry!

The baby awakens! There will be no more writing today. This is not the first time the writer wonders why he ever bothers attempting to create something on a page, and it certainly won’t be the last.

But he continues to bother the pages with his blank, vacant stares and the occasional tips and taps of his fingers on the keyboard, interspersed with sighs and groans of frustration and infrequent vocal undulations.

He stays up into the wee hours of the morning, knowing he will regret it in the morning when even his coffee fails to enlighten him. And yet, he pushes through, thinking and thinking and thinking, until, finally, writing. A gasp forms in his mouth as he surprises even himself. He has thought of something worthy of the computer screen! He types it! He reads it back to himself, and it is glorious.

Blink.

      My Writing Manifesto. A Writer’s Manifesto.

Ever since I was young, I entertained the idea of being a writer; then I grew up.— Perfect.

He feels accomplished, therefore, he is done for the day. The next day he reads what he wrote.

Blink. Blink. Blink. Blink. Blink.

My Writing Manifesto. A Writer’s Manifesto.

Ever since I was young, I entertained the idea of being a writer, then I grew up.— Are you kidding me? What trash! What complete and utter drivel!

Blink. Blink. Blink. Blink. Blink.

He wants to delete it, erase it entirely for the universe’s memory, but the idea is still there. It needs to be communicated. So he changes the words. And he thinks it sounds better, and then he hates it again.

Then he is inspired:

A Writer’s Manifesto.

When I was younger, my imagination ran wild, but only in my head. I had crazy    ideas, but I never shared them. I had an idea for a story, and once when I was twelve, I wrote some of the things down in a notebook. I made it four pages before I quit. It took me twenty years before I tried again. Looking back, I see what my problem was: fear.

I was afraid to try, not, or at least not solely, because of a fear of being mocked for            my silly ideas. I was afraid to try because I did not want to fail. I did not want to have put          in so much effort only to have it amount to nothing. I would write occasionally, but I        constantly questioned if what I was writing down was the best way to say it, or if I had         credibility, or if people would just laugh at me. This still happens today, and this is why I         can honestly say, that most of the time, I hate writing.

It is so hard, and I second-guess everything, and I will spend hours and only be happy with less than five percent of what I have written. And even then I’ll look at that five percent the next day and toss the whole thing. But every once in awhile, I’ll write something I don’t mind that much, so I decide I’ll keep it.

I realize, now, why I hate writing most of the time, and it’s because I fear it, in a way. Writing is incredibly vulnerable. It makes me self-conscious, because the reality is that writing is a way of communication, so, logically, someone else should read it. Writing isn’t just a person’s thoughts, it’s his polished thoughts. It’s his prepared-beforehand thoughts, and, therefore, he has had time to decide if this is what he wants to say, and how he wants to say it. That says way more about what his real thoughts are than if he were to just have a conversation.

I had another realization. I don’t have to share all of my writing, so I shouldn’t obsess over how I’m saying what I’m trying to say. I should just say it, or in this case write it, and worry about the “how” once I’ve actually fully figured out the “what.” I need to let go of my fear before I can truly write, before my thoughts can fully manifest into my writing.Get it? Writing Manifesto? Manifest into my writing? Moron. This is stupid. I have a better idea. This will be hilariously and pretentiously meta:

                               (Go to the top of the page. Read from there.)

Conner’s Manifesto

IMG_1252“What’s wrong, my young traveler?” Gandalf the Grey asked the weary writer as he approached him slouched over a pile of papers in his study.

The old wizard took off his large grey hat and set it on the coat rack in Conner’s study. The room was Conner’s work area, where he spent his time organizing his thoughts and completing his daily academic and professional responsibilities.

“You wouldn’t understand, Gandalf. You’ve always known what your purpose was. I just can’t seem to figure out mine,” said Conner. “By the way, you’re late.”

“A wizard is never late, nor is he early. He arrives precisely when he means to,” Gandalf said [1].

“Whatever you say, Gandalf. I just hope you can help me. I’ve been having a lot of doubts lately.”

Conner had recently focused his efforts on a rather intimidating personal journey: writing. He wanted so badly to affect change, to challenge the thought processes of others, and to stimulate intellectual conversations with other people. He found that he could best do this through written word, though he did not anticipate the obstacles that he would come up against along his journey. Of those obstacles, self-efficacy was among the greatest.

“My dear boy, I would argue that you absolutely know your purpose,” Gandalf said. “You have always been an achiever, someone that always felt that they could contribute in some way to the causes you felt most passionately about.”

“But Gandalf, how do I know that I’m not wasting my time? What if people think I’m a fool for even trying? After all, I’m only one person. How can I alone make a difference?” Conner asked the old wizard.

“A very wise old elf was once asked that same question by a single traveler with many of the same doubts that you now have. She reassured him: ‘Even the smallest person can change the course of the future,’” Gandalf said [2].

Conner seemed to rise up a bit, as if the self-doubt that was holding him down had begun to lessen in weight.

“All we have to decide is what to do with the time that is given to us,” said Gandalf [3].

“Right, he is.”

The calm voice came from behind Conner as Jedi Master Yoda approached him. The small, green Jedi assisted himself with a cane when he walked, but he had the demeanor that he could pounce into action whenever necessary.

“Willing to take chances, you must be,” Yoda said. “Stray from your heart, you must not, if even your endeavors do not first succeed.”

“I guess I’ll just keep trying my best,” Conner said halfheartedly.

“Do, or do not. There is no try,” said Yoda [4].

“So I should just chase this ambition without any sort of caution? What if my writing isn’t good enough?” Conner asked.

A being appeared in the corner of the room with a loud crack; Albus Dumbledore had just apparated into their presence.

“It is our choices that show what we truly are, far more than our abilities,” Dumbledore said [5]. “The very fact that you so desire to inspire good and denounce evil in the world tells a great deal about your character.”

Dumbledore had that special twinkle in his light blue eyes behind his half-moon spectacles that made him seem so comforting; ever since he was a child, Conner always found solace when in Dumbledore’s company.

“So you’re saying I can actually help people with my writing?” Conner asked as his face lit up.

“Of course you can,” Dumbledore said with a chuckle. “Words are, in my not-so humble-opinion, our most inexhaustible source of magic, capable of both inflicting injury and remedying it.” [6].

“I found it is the small, everyday deeds of ordinary folk that keep the darkness at bay. Small acts of kindness and love,” Gandalf added [7].

“Much power, your words have,” Yoda said. “Luminous beings are we, not this crude matter,” Yoda said as he pinched Conner’s shoulder [8].

Conner had always been good at many things, but never great at one. He struggled to find his path in life, always unaware of what he was meant to do. He was born with an athlete’s body and demeanor; he knew how to focus his physical and mental strength to accomplish his goals in a competitive manner, and he always thought that those inherent characteristics would define him and force him on a path he was not sure he wanted to take. But then Conner realized he had the power to make his own path, to embark on the journey that he desired, and become the person that he wanted to be.

He decided that he would use his writing to influence change and encourage good in the world, to condemn those that sought to spread hate and greed. And he discovered that the ending of the journey was realizing that it never really does end, that he will always continue to grow as a person and as a writer. The journey itself is the goal, for that is when he will discover new things about himself and the world around him.

“Is any of this actually real? Are all of you really here, or is it all just happening inside my head?” Conner asked as the three insightful beings began their departure.

“Well of course it’s happening inside your head, but why on earth should that mean that it is not real?” said Dumbledore [9].

References:

  1. Quote from Gandalf the Grey in The Lord of the Rings: The Fellowship of the Ring
  2. Quote from Galadriel in The Lord of the Rings: The Fellowship of the Ring
  3. Quote from Gandalf the Grey in The Lord of the Rings: The Fellowship of the Ring
  4. Quote from Jedi Master Yoda in Star Wars: The Empire Strikes Back
  5. Quote from Albus Dumbledore in Harry Potter and the Chamber of Secrets
  6. Quote from Albus Dumbledore in Harry Potter and the Deathly Hallows
  7. Quote from Gandalf the Grey in The Hobbit: An Unexpected Journey
  8. Quote from Jedi Master Yoda in Star Wars: The Empire Strikes Back
  9. Quote from Albus Dumbledore in Harry Potter and the Deathly Hallows

 

Madalyn’s Manifesto

ManifestoI write about anything and everything
I write not so the world can see me, but so that I can see the world

I write because I want an escape
I write because I feel compassion towards my characters and their life stories
I write because it is how I learn and discover the world
I write because I get to express a simple concept into a novel
I write because I can be myself and ask all the questions I want and then answer them in the most realistic way

I write to understand consequences for actions
I write to understand what happens in the psyche of individuals based on background and experience
I write to understand psychology
I write to understand mental health
I write to understand people

I write to predict what may be out there in the world
I write to experience adventure
I write to free my imagination
I write to understand my feelings in relation to my actions

I write because I am empowered by strong leads
I write because it helps me be a better listener
I write because my mind and heart can’t be controlled
I write because it teaches me about my feelings and my questions
I write because it is my mind and my heart coming together to create something beautiful

I write to experience emotions I’ve never felt before
I write to understand the importance of life and love
I write to have a connection with something inside myself
I write to understand my complex self
I write to discover myself

I write to know what love feels like
I write to know what loss feels like
I write to know what fear feels like
I write to know what trust feels like
I write to know what forgiveness feels like

I write because I feel misunderstood in the real world but understood in my world
I write because it shows me what I value and what I find is important
I write because I’m a hopeless romantic
I write because I can learn and understand other people’s values
I write because it opens up parts of myself that only come out when truly inspired

I write to experience an alternate universe that is just as real as this life
I write to experience love, grief, betrayal, etc. in the fiercest moments life has to offer
I write to detach from my own body and immerse myself in the moment of a fully developed fictional character
I write to gain empathy of the struggles of people that are so different from each other
I write to live situations that I would never experience on my own

I write to understand why people do what they do because of who they are and how they feel
I write to connect with many alter egos that could respond and view a situation in a many various ways
I write to feel emotions that I could only feel through the life of a character
I write to connect with a deep piece of my soul that can only ever be expressed through writing

I write because as any person in this society, I am attracted to things that are different from myself
I write because no one will judge me there
I write because I feel like my writing supports me and gives me answers
I write because I can experience more excitement and involvement than the real world
I write because when reality slows down, an alternate reality comes to life

I write to quench my curiosity
I write to understand the world I live in
I write to explain to people how I see the world
I write to live vicariously through others
I write to filter the chaos of my mind into one fluid mosaic of literature

I write to make sense of the world in all its glory and catastrophe
I write to live adventure, learn new things, and grow
I write to learn from the mistakes of my characters
I write to love myself and others no matter what the circumstance
I write to live within the enigma of myself and expand it to the world
I write to no one and I write for no one but myself