{"id":8870,"date":"2018-11-25T01:26:02","date_gmt":"2018-11-25T09:26:02","guid":{"rendered":"http:\/\/www.wou.edu\/westernhowl\/?p=8870"},"modified":"2018-11-25T01:26:02","modified_gmt":"2018-11-25T09:26:02","slug":"nightcore-deep-cuts-analyzes-our-information-age-capitalism","status":"publish","type":"post","link":"https:\/\/wou.edu\/westernhowl\/nightcore-deep-cuts-analyzes-our-information-age-capitalism\/","title":{"rendered":"Nightcore Deep Cuts\u201d analyzes our \u201cinformation age capitalism\u201d"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/wou.edu\/westernhowl\/files\/2018\/11\/ArtGallery-1024x687.jpg\" alt=\"\" width=\"501\" height=\"336\" class=\" wp-image-8871 aligncenter\" srcset=\"https:\/\/wou.edu\/westernhowl\/files\/2018\/11\/ArtGallery-1024x687.jpg 1024w, https:\/\/wou.edu\/westernhowl\/files\/2018\/11\/ArtGallery-300x201.jpg 300w, https:\/\/wou.edu\/westernhowl\/files\/2018\/11\/ArtGallery-768x515.jpg 768w\" sizes=\"(max-width: 501px) 100vw, 501px\" \/><\/p>\n<p><span style=\"font-weight: 400\"><strong>Chrys Weedon<\/strong> | Entertainment Editor<\/span><\/p>\n<p><span style=\"font-weight: 400\">\u201cNightcore Deep Cuts\u201d is the title of a new exhibit featured at the Cannon Gallery of Art in Campbell Hall.<\/span><\/p>\n<p><span style=\"font-weight: 400\">Artist Tabitha Nikolai is showcasing pieces of her art that have never been shown in Oregon before. \u201cNightcore\u201d refers to a genre of music that edits popular songs by increasing the speed and pitch, therefore making a song sound hyper-positive and danceable. This genre was born on the internet. <\/span><\/p>\n<p><span style=\"font-weight: 400\">\u201cNightcore\u2019s quickening makes conventional (and previously enjoyable) music feels glacial and frustratingly predictable. This parallels an accelerating pace of life, work, and socialization under information age capitalism,\u201d says the description of the exhibit in the Cannon Gallery.<\/span><\/p>\n<p><span style=\"font-weight: 400\">All of the pieces in the exhibit are centered around technology and the online world.<\/span><\/p>\n<p><span style=\"font-weight: 400\">The gallery includes interactive pieces in which participants can manipulate objects on computer screens, and dawn various audio headsets to capture the full experience of the exhibit. Another interactive piece is a large bean bag chair, acting as the partner to a nearby sculpture\/display. Along with these pieces that onlookers can touch and manipulate are other sculpture-type pieces. The mediums used range from 3D printer to virtual environments to perler beads and spray paint. There are nine pieces total.<\/span><\/p>\n<p><span style=\"font-weight: 400\">It sounds confusing. In a way it is true, and some may see that as the point. The pieces included in this exhibit showcase a unique and interesting perspective that is not seen often in popular culture.<\/span><\/p>\n<p><span style=\"font-weight: 400\">\u201cIt&#8217;s hard to say it&#8217;s my favorite per se,\u201d said Nikolai, \u201cbut the most important one to me is \u2018Smol Monument to Maddie Rose and Ally Steinfeld.\u2019\u201d Rose and Steinfeld are both young trans women who have faced bigotry and various horrors because of their identities. Maddie Rose was threatened with death, thus causing her to move out of her hometown of Achille, Oklahoma. Ally Steinfeld\u2019s story is even more vicious and disturbing. Steinfeld lived in Missouri up until she was brutally murdered. \u201cGrowing up in conservative places can be very repressive and dangerous and so I wanted to make something in solidarity with queer people in small towns or rural America,\u201d remarked Nikolai.<\/span><\/p>\n<p><span style=\"font-weight: 400\">Nikolai grew up as an only child to a single mother in Salt Lake City, Utah. She is now based in Portland, Oregon. Previously, Nikolai has taught at the Pacific Northwest College of Art and Portland State University, but now describes herself as a \u201crecovering academic.\u201d<\/span><\/p>\n<p><span style=\"font-weight: 400\">\u201cWithin my speculative realms, I center narrative focus on the monster, its circumstances, and its avenues of agency,\u201d reads Nikolai\u2019s website, \u201cthis is a response to widespread negative attitudes toward transgender people.\u201d<\/span><\/p>\n<p><span style=\"font-weight: 400\">Nikolai\u2019s exhibit opened on Nov. 7 and will be on display until Dec. 7. Nikolai also recently gave a talk at Abby\u2019s House titled \u201cQueer\/Trans\/Femme Solidarity Through Art.\u201d<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><em><span style=\"font-weight: 400\">Contact the author at <a href=\"mailto:howlentertainment@wou.edu\">howlentertainment@wou.edu<\/a><\/span><\/em><\/p>\n<p><em>Photo courtesy of Ashlynn Norton<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Chrys Weedon | Entertainment Editor \u201cNightcore Deep Cuts\u201d is the title of a new exhibit featured at the Cannon Gallery of Art in Campbell Hall. Artist Tabitha Nikolai is showcasing pieces of her art that have never been shown in Oregon before. \u201cNightcore\u201d refers to a genre of music that edits popular songs by increasing [&hellip;]<\/p>\n","protected":false},"author":1094,"featured_media":8872,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_seopress_robots_primary_cat":"","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","_lmt_disableupdate":"","_lmt_disable":"","_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":"","_links_to":"","_links_to_target":""},"categories":[5],"tags":[],"class_list":["post-8870","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-entertainment"],"modified_by":"The Western Howl","_links":{"self":[{"href":"https:\/\/wou.edu\/westernhowl\/wp-json\/wp\/v2\/posts\/8870","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wou.edu\/westernhowl\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wou.edu\/westernhowl\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wou.edu\/westernhowl\/wp-json\/wp\/v2\/users\/1094"}],"replies":[{"embeddable":true,"href":"https:\/\/wou.edu\/westernhowl\/wp-json\/wp\/v2\/comments?post=8870"}],"version-history":[{"count":0,"href":"https:\/\/wou.edu\/westernhowl\/wp-json\/wp\/v2\/posts\/8870\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/wou.edu\/westernhowl\/wp-json\/wp\/v2\/media\/8872"}],"wp:attachment":[{"href":"https:\/\/wou.edu\/westernhowl\/wp-json\/wp\/v2\/media?parent=8870"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wou.edu\/westernhowl\/wp-json\/wp\/v2\/categories?post=8870"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wou.edu\/westernhowl\/wp-json\/wp\/v2\/tags?post=8870"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}