Mount Hood

Review: “Pirates of the Caribbean: Dead Men Tell No Tales”

By: Ashton Newton
Entertainment Editor

Part of what made the original “Pirates of the Caribbean” so good, is the fact that it came as a surprise and people generally had no expectations. Jack Sparrow was the loveable, drunk side character in Will Turner and Elizabeth Swan’s story, something that, more or less, continued for the second and third films.

“Dead Men Tell No Tales” fell into the same mistake that 2011’s “On Stranger Tides” did by making Jack Sparrow the central character and completely overdoing it. What made Jack Sparrow great was his use in moderation, and “Dead Men Tell No Tales” has no moderation at all.

Jack Sparrow, teaming up with Will Turner and Elizabeth Swan’s son Henry and an orphan girl, sets off on a quest to find Poseidon’s trident in order to save himself from an undead Spanish captain out for his blood.

Setting the plot of the film forward was painful. It required a series of unrealistic and almost impossible events that seemed to be a cop-out of any actually decent storytelling. This, plus a series of coincidental meetings with strangers with the exact same goal, puts the story into motion.

“Dead Men Tell No Tales” feels like a very small film. While “Pirates of the Caribbean” had beautiful, sprawling settings, lively ports and massive ships, the new addition jumped from CGI location to small-feeling ship to British township. There was no epic feeling of adventure in this film.

The film relied heavily on formulas used in past films. Jack Sparrow being drunk and funny, a Will Turner-esque character, an Elizabeth Swan-esque character, a dumb and funny pirate duo, an angry British captain and an evil, scary, supernatural enemy. These are all things that have been done in each of the previous films, and “Dead Men Tell No Tales” relied on that in the laziest way possible. There was nothing that made it unique.

There are a share of hilarious moments; the entire opening sequence is fantastic and Paul McCartney’s cameo is memorable. While other “Pirates of the Caribbean” movies had a serious tone, the new addition traded that for a slapstick comedy feeling. It paid off occasionally, but for the most part resulted in a boring and awkward movie.

“Pirates of the Caribbean: Dead Men Tell No Tales” is far from the spectacle that made the franchise loved. It’s overdone, poorly written and ends the series as an example of why not to drag a good thing on for five unneeded movies.

Contact the author at journalentertainment@wou.edu

2/4
+ A few decently funny moments
– Overused movie formula

“500 Days of Summer:” what emotional rollercoaster did I just get into?

By: Jade Rayner
21 year old adult

If you’ve never noticed the preface at the beginning of this movie, you’ve been missing out.

I generally think “tell me a story” formula movies are lazy garbage, but somehow this one gets an exception. This, and “The Princess Bride.” Seriously though, just get into it.

“I always thought she was more of a winter person,” my friend says in response to Zooey Deschanel’s character Summer. She’s right.

The flirting in this movie is so far from subtle, they should just walk up to each other and say “hey, I’m flirting,” and live their lives from there.

I can’t handle the time switches in this movie. Thank you for the screen that shows which day out of the 500 days we are in, but it’s still a lot to keep up with.

Is Summer supposed to run over and make out with him every time he plays The Smiths? It seems like that’s what they’re getting at. No.
There is definitely a right and wrong time for method acting. These guys should probably be drunk for real, because the acting is as smooth as sandpaper.

The first half-hour summed up in one sentence: I’m not sure if I’m watching a “love story” between middle schoolers or adults, but they’re beautiful actors in general, so here we are.

“500 Days of Summer” is the only reason I want to go to IKEA. Is it actually cute? Or is there more to it? Why are they being stereotypical? And are people allowed to just make out in the beds? Think of the children.

SHE LITERALLY SAYS SHE DOESN’T WANT ANYTHING SERIOUS. LISTEN UP, JOSEPH.

The post-sex musical scene is the most magical moment in the whole movie. This is how I feel every time I leave my last final.

From happiness to depression in two seconds. Thanks.

Never doubt the emotional bond between a cat and a person. This isn’t related to the movie, but it’s important to note as I am currently crying over a cat that’s not even mine.

There are a lot of awful sexist moments. How have I never noticed this before? It’s hidden behind the semi-cute nature of this movie.
TWO PERSON RELATIONSHIPS ARE NOT DECIDED BY ONE, SINGLE PERSON, TOM.
Now the penis game. It’s decided: middle school.

Now this is a French film?

I would buy a greeting card that started as a poem, and then turned into a hateful revenge letter. I really don’t see the problem. Tom’s boss is far too nitpick.

The expectation vs. reality segment is killer in the worst way. But you had to see it coming. I didn’t, but that’s not the point.

There really do need to be more greeting cards featuring cats.

To sum it up, Tom is whiney and can’t get a clue. Summer is living her life mostly-honest, but doesn’t consider other people’s feelings.

IF THE GIRL’S NAME IS A SEASON, DON’T DO IT. SHE IS NOT YOUR SOUL MATE.

Contact the author at jrayner14@wou.edu

Researching Sister Genevieve Lantz

By: Paige Scofield
Campus Life Editor

The current exhibit in Hamersly Library is one for the books. After four journals that dated back to World War I were donated to Western, student Max Norr, senior social science major with a history focus, got the chance to research them and turn them into an exhibit.

“They’re four journals that belonged to a nurse in World War I, named Sister Genevieve ‘Birdie’ Lantz, and she was from Canada,” explained Norr. “She moved to Boston to study nursing, and then when the war started, she went over to France with a Harvard Surgical Unit. [The journals] weren’t her diaries, she had her patients, from all of the wards that she worked in and managed, she had her patients write in them. So they would write their experiences, they wrote jokes, they wrote stories, they drew pictures, there’s some amazing art.”

“We knew nothing about Sister Lantz, except that her name was Lantz, because she wrote ‘G. Lantz’ in the journals,” said Norr. “The owners of the journals found them at an estate sale or an antique shop, they found these four books, and they were just looking for somebody to research them. So Dr. Jensen was like, ‘hey, this would be a really cool, I think you should research these. I think that we could make a really good practicum for it.’ So that’s what we did.”

“The goal was to create an online blog exhibit, website, type-thing , and I would find certain entries within the books that I wanted to research further, so I did five, and then one extra for Sister Lantz herself,” Norr said passionately. “I found one on the 1914 Christmas Truce, I did an exhibit on all the art that was in the books, one on propaganda and one on neutrality, and a few other ones. It was amazing because no one had ever seen them before. Nobody had ever researched these, it was all new information, all new material. So it was just me using Ancestry.com, corresponding with other researchers, I’ve talked to people in Australia, Canada, Britain, all these different people, I scoured newspapers for information about the Harvard Surgical Unit. No one knew about this stuff.”

After countless hours of research Norr created a blog called “The Record Keeper,” which you can visit at www.record-keeper.blogspot.com. The journals themselves were found in Klamath Falls, Oregon at an estate sale for one of Sister Lantz’s grandson or son’s home.

“She died in the mid-1960s, so she’s been gone for a while, but it was right here in Oregon. So that’s what’s really cool, we got to make that connection,” said Norr. “She came all the way from Canada, and France from all these different places and her journals ended up in Oregon.”

The exhibit will continue to be in Hamersly Library until summer break begins.

Contact the author at journalcampuslife@wou.edu

The country’s pride

By: Zoe Strickland
Managing Editor

A police raid on June 28, 1969 at the Stonewall Inn was the event that started the Stonewall riots. Now, people across the country celebrate June as LGBTQ+ pride month.

The Stonewall riots began after New York police raided the Stonewall Inn, a gay bar, for reportedly serving alcohol without a liquor license, and arrested numerous people who weren’t dressed in gender-appropriate clothing.

According to an article from PBS in 2015, “a person perceived as male who dressed in clothing customarily designed for women could technically be arrested in New York for ‘impersonating a female’ as recently as 2011.” The police raid of the Stonewall Inn ended up sparking the uprising of the Gay Liberation Movement.

According to the Oregon branch of the American Civil Liberties Union, “Stonewall is widely seen as an important turning point to more outspoken and confrontational forms of gay rights advocacy … it can be said that the Stonewall Riots were an important step on the path from stigma to public awareness and consciousness.”

The riots at the Stonewall Inn were some of the first stepping stones in the fight for LGBTQ+ rights; a fight that is still continuing today.

Same-sex marriage has been legal in Oregon since 2014, and legal across the United States since 2015.

Most recently, Governor Kate Brown signed in a bill that would allow a gender-neutral option on Oregon driver’s licenses and identification cards.

“Memorials are held during this month for those members of the community who have been lost to hate crimes or HIV/AIDS. The purpose of the commemorative month is to recognize the impact that lesbian, gay, bisexual and transgender individuals have had on history locally, nationally, and internationally,” reads an informational page from the Library of Congress.

Local events in Oregon help to commemorate the loss of members of the LGBTQ+ community, as well as provide a place for members of the community to celebrate their different identities.

Pride Northwest, a Portland-based nonprofit, hosts a pride parade and festival in Portland every year. This year’s parade and festival will be held at Portland’s Waterfront Park on June 17 and 18.

Salem will also be hosting a pride parade on Aug. 5, and Eugene will be hosting one on Aug. 12.

Students who are looking to be more involved in LGBTQ+ advocacy can volunteer at Pride Northwest, Basic Rights Oregon or on-campus at the Stonewall Center.

Contact the author at journalmanaging@wou.edu

Incoming recruits look to make the cut

By: Burke De Boer
Sports Editor

Every season in student athletics, players graduate and the next season sees new players join the team in their place. Next year’s crop of first-year students features some players who could make impacts on their teams sooner rather than later.
Taisha Thomas is a center transferring to the women’s basketball team from Peninsula College. She was named to her conference’s all-defensive team, averaging 8.8 PPG and 6.8 RPG last season. Jessie Brown is another center, coming from Castle Rock, Colorado where was a three-year letterwinner in basketball.

Olivia Denton is a guard from Auburn, Washington, bringing three point skills with a 9.8 PPG average last year.

Joining the baseball team is Zach Griffin, a right handed pitcher from Phoenix, Arizona.

Two local catcher recruits are coming in, looking to help replace senior catcher Boog Leach; Anthony Zellner is a left handed batter from West Salem High School and James Anderson was named to the all-state team playing for Crescent Valley High School in Corvallis and is a utility player who also plays first base.

The football team will be reinforcing its numbers with a large incoming class, as 31 student athletes declared their intention to become Wolves.

Tyler Sweet, younger brother of first-year dual-sport standout Torreahno Sweet, will be playing wide receiver. He recorded 26 receptions for 366 yards and a touchdown as a senior in Upland, California.

Jash Allen is a running back recruit from Tigard High School. He ran for 1,501 yards and 28 touchdowns in his career, notching 7.6 yards per rush attempt for the Tigers. His breakaway speed helped him pick up many big runs last year, including a 74-yard touchdown against Tualatin.

On defense, Jonah Land will be coming to the defensive line from Waldport High School. Over his career for the Irish he made a total of 244 tackles, including 97 solo and forced four fumbles.

Joining the sturdy linebacker core is Kyle Otis from Toledo. Otis recorded 239 total tackles in his career and was named the all-league defensive MVP.

Ryan Worthley is one of the quarterback recruits, and played ball with Jash Allen at Tigard. Worthley threw for 2,137 yards and 20 touchdowns as a senior to become MaxPreps’s fourth-ranked quarterback in the state. He has a calm presence in the pocket, and threw a 47-yard touchdown pass while he was getting hit against Newberg.

Contact the author at journalsports@wou.edu

Review: “Waiting on a Song”

By: Ashton Newton
Entertainment Editor

In the past, it was difficult not to associate Dan Auerbach with The Black Keys, where he serves as lead guitarist and vocalist. Even in his first solo album, 2009’s “Keep It Hid,” Auerbach’s sound was comparable to the sound of The Black Keys.

In Auerbach’s upcoming album, “Waiting on a Song,” he sets himself apart from The Black Keys by giving a more pop-heavy, dream-like album that is perfectly upbeat and just in time for Summer.

The title track, “Waiting on a Song,” starts the album off with a sound that feels similar to 70’s country music. It’s catchy and relies heavily on simple lyrics and twangy guitar. It feels different from the summery-pop-vibe that Auerbach tries to evoke with the rest of the album, but is a good song nonetheless.

If this album is playing around with surf-rock sounds, “Malibu Man” dives right into the ocean: mildly distorted, dreamy vocals and a soft guitar that sounds like it’s taken right out of “Surfin’ U.S.A.” “Malibu Man” finds Auerbach settling into the sound that makes “Waiting on a Song” great.

One song on the 10-track album that stands out the most is “Shine on Me.” Not only is the song instantly danceable, it features guitar and vocals reminiscent of surf rock. The song is both memorable and catchy. With simple lyrics and upbeat music, “Shine on Me” is the perfect tune to listen to with the windows down.

In this generally upbeat album, Auerbach isn’t afraid to slow things down. “Never in My Wildest Dreams” starts off with a single acoustic guitar and Auerbach’s soft vocals. The chorus adds percussion and some soft horn instruments, making this song slow, but still toe-tapping. The lyrics are emotional and find Auerbach at his most heartfelt.

Through the 10 songs on “Waiting on a Song,” Dan Auerbach finds a dreamy, surf-rock sound that sets the album miles apart from anything done with The Black Keys. Upbeat, heartfelt and a ton of fun, “Waiting on a Song” is a fantastic album and perfect for summer.

Contact the author at journalentertainment@wou.edu

Outdoor track has national success

By: Burke De Boer
Sports Editor

For the second time this year, junior David Ribich is a national champion.

After anchoring the indoor distance medley relay team that won the indoor national championship, Ribich added more hardware to the trophy room with an outdoor 1,500-meter title.

It was the first outdoor track title in Western Oregon history.
On May 27, the finals were held at the NCAA Division II outdoor track and field championships IMG Academy in Bradentown, Florida. Ribich ran the race alongside sophomore Dustin Nading. Sophomore Olivia Woods also ran the championship race of the women’s 800-meter.

All three earned All-American honors.

The first day of competition was Thursday May 25. Nading and Ribich qualified for the championship race with times of 3:50.76 and 3:51.85, respectively.

The second day featured the final contest of the triple jump, with senior Wesley Gray taking his last leap for the Wolves. His distance of 14.93 meters earned him 17th place.

The middle distance trio of sophomore Olivia Woods and juniors Megan Rose and Suzanne Van De Grift have represented Western Oregon consistently in the 800-meter this season. The 800-meter preliminary was also held on the second day of the meet.

Woods broke her own school record, as she finished in first place of the third heat with a time of 2:07.82. Her previous record was 2:08.46.

Rose and Van De Grift ran the first heat of the race but failed to qualify for the championship race. Rose’s time of 2:09.94 took her to 13th place. Van De Grift soon followed her across the finish line with a time of 2:10.64 for 16th place.

Sophomore Sheila Limas De La Cruz was the first of the Wolves team to compete on championship Saturday, representing in the javelin contest. She threw for a distance of 38.4 meters, coming in 21st place.

Olivia Woods came in third to make it to the podium for the 800-meter race.

She had fallen to seventh place at the 400-meter mark, but after passing the halfway point she dialed up the intensity and passed four runners in front of her.

Her final time was 2:07.38, and for the second day in a row she broke her own school record.

Ribich and Nading then competed in the men’s 1,500-meter.

Ribich took the lead halfway through and held on to finish 0.22 of a second ahead of the second-place runner. To seal the victory, Ribich finished in 3:49.64.

Nading came in sixth place with a 3:51.50 finish.

The only two runners competing for the Wolves men’s team on title day, Ribich and Nading picked up a total of 13 total points to earn Western Oregon men the 17th place finish on the day. Woods’ solo effort earned 6 points for the women’s team to earn 37th place overall.

Contact the author at journalsports@wou.edu